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Untitled This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of Read more…

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Mirtikanya (Mujupunkanu, Watchpoint Hill) “This is the sunset and the clouds. The cockies and the black crows are landing for their milka (food). Near Watchpoint Hill.” “This one here is Watchpoint Hill near to Jigalong, with all the sandhills and the walyji (river gums). We got warla (lakes) there too. Read more…

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Mirtikanya (Mujupunkanu, Watchpoint Hill) “This one here is Watchpoint Hill near to Jigalong, with all the sandhills and the walyji (river gums). We got warla (lakes) there too. Jigalong is where I grew up.”  – Helen Dale Simpson Mirtikanya is a hill and claypan close to Balfour Downs Station and north Read more…

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Nyilangkurr Nyilangkurr is a group of three large tali (sandhills) located between Kartarru (Canning Stock Route Well 24) and Tiwa (Canning Stock Route 26), and just east of Wantili, an important creation site. Ngamaru grew up in the area around these sites and beyond; she knew this region intimately and Read more…

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Untitled This is Jatarr’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

© the artist / art centre