Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Mirrpurn (also known as Jarntinti) – it’s close [to Punmu] Mirrpurn is a large claypan at the southern end of Nyayartakujarra (Lake Dora), a large salt lake surrounded by tali (sand hills) within the Karlamilyi (Rudall River) region. During the pujiman (traditional, desert dwelling) era, Mirrpurn was primarily used as Read more…
Nyilangkurr “My father finished at Nyilangkurr. This is my Country. These are the claypans; some have water in them. This here sand dunes. This is my mummy’s ngurra (home Country, camp). – Jakayu Biljabu, as translated by granddaughters Morika and Renette Biljabu Nyilangkurr is a group of three large tali (sandhills) Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
My grandfather’s Country (Junpunjunya, Junpunkutja) “That’s my great, great grand parent’s Country. My grandfathers’ and grandmother’s Country. You go through 33 Well (Kunawarritji, Canning Stock Route Well 33).” – Marianne Burton This work depicts two specific sites that form part of Marianne’s ngurra (home Country, camp) through her great, great Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Bush Foods Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and Read more…