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Jina (tracks, footprints) Depicted in this work are jina (tracks, footprints), used by Martu people when tracking bush tucker. Distinctive are the jina of the marlu (kangaroo), parnajarrpa (sand goanna), kipara (bustard), karlaya (emu), jila (snake) and man, though tracks of much smaller animals and even insects are also well known Read more…

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Untitled This painting depicts the artist’s country, where Mulyatingki and her sisters (and fellow artists, May Chapman and Nancy Chapman) lived and camped as children. Mulyatingki and her family walked extensively through this area with their extended family during pujiman (bush) days.

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Untitled Wompi paints the Country around her homelands of Kunawarritji, a place associated with the Minyipuru Jukurrpa (Seven Sister Dreaming). In 1906, Kunawarrtiji also became a well on the Canning Stock Route, and from an early age Wompi and her family had encounters with the white men who drove cattle Read more…

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Untitled This is Mitutu’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

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