Engadine creek “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Engadine creek “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you Read more…
Nyurnma Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Martu Country, is the practice of waru (fire burning); a practice that assists with hunting, regenerates growth, and encourages greater diversity in plant and animal life. When Martu Country burns, mosaic fire scars are Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Kulyakartu “Long time ago I been there. It is my grandmother’s, grandfather’s, father’s, [and] mother’s country, Kulyakartu. I am painting this particular place. It keeps me connected, [gives me a] sense of belonging [to] tell my grandmother’s story through my art. Where she was born, I’m a part of that. It Read more…
Pintu- Pintu – Kumpaya Girgaba “We were at Pintu-pintu when all of a sudden we heard a rumbling noise like an earthquake. When I heard that noise, I set the little one down [her children] and saw for the first time a grader and there was a Toyota in the Read more…
Parnngurr “We were climbing Parnngurr hill; we were frightened. Kartiya (Europeans) would walk around, trying to catch Martu people. We would run up the hill and hide. We watched them catch people. We were eating flour that white people gave us. It was horrible. From [Parnngurr rockhole], we got in Read more…
Pitu (Separation Well) “I paint Pitu because my father come[s] from Pitu and all the rest of the family, they belong to there. Family hear the stories all the time from Jakayu [Biljabu]. It’s their connection to that place. All the old people were walking through that area, aunty Jakayu was Read more…
Pitu (Separation Well) “I paint Pitu because my father come[s] from Pitu and all the rest of the family, they belong to there. Family hear the stories all the time from Jakayu [Biljabu]. It’s their connection to that place. All the old people were walking through that area, aunty Jakayu was Read more…
Pitu (Separation Well) “I paint Pitu because my father come[s] from Pitu and all the rest of the family, they belong to there. Family hear the stories all the time from Jakayu [Biljabu]. It’s their connection to that place. All the old people were walking through that area, aunty Jakayu was Read more…