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Lakes near Mirtikanya (Mujupunkanu, Watchpoint Hill) – Helen Dale Samson “This one here is Watchpoint Hill near to Jigalong, with all the sandhills and the walyji (white gums). We got warla (lakes) there too. Jigalong is where I grew up.”  – Helen Dale Simpson Mirtikanya is a hill and claypan close Read more…

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Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water.  During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…

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Parnngurr Rockhole Parnngurr rockhole is located just south of Parnngurr Aboriginal community. At the junction of three linguistic groups; Manyjilyjarra, Kartujarra, and Warnman, it was a critical and permanent source of water during the pujiman (traditional, desert born) era that supported many ritual large gatherings. During this nomadic period families Read more…

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Minyipuru (Jakulyukulyu, Seven Sisters) The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, Read more…

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Minyipuru (Jakulyukulyu, Seven Sisters) The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, Read more…

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Untitled This is Ngamaru’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

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Untitled “I like painting. It’s a good way to learn from the old people and keep the stories going.”  – Cyril Whyoulter Cyril Whyoulter is one of the most dynamic and exciting practitioners to emerge from the youngest generation of Martumili Artists. He, like his contemporaries, began to paint with his parents, Read more…

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