Wirlarra (Wilarra) Wirlarra, the site depicted in this painting, lies on the eastern edge of a large salt lake, Nyayartakujarra (Lake Dora), near Punmu Aboriginal community. A distinctive group of small salt water pools are clustered together here. The water from these pools is known for its’ powerful healing properties, Read more…
Wirlarra (Wilarra) Wirlarra, the site depicted in this painting, lies on the eastern edge of a large salt lake, Nyayartakujarra (Lake Dora), near Punmu Aboriginal community. A distinctive group of small salt water pools are clustered together here. The water from these pools is known for its’ powerful healing properties, Read more…
Wirlarra (Wilarra) Wirlarra, the site depicted in this painting, lies on the eastern edge of a large salt lake, Nyayartakujarra (Lake Dora), near Punmu Aboriginal community. A distinctive group of small salt water pools are clustered together here. The water from these pools is known for its’ powerful healing properties, Read more…
Wirlarra (Wilarra) Wirlarra, the site depicted in this painting, lies on the eastern edge of a large salt lake, Nyayartakujarra (Lake Dora), near Punmu Aboriginal community. A distinctive group of small salt water pools are clustered together here. The water from these pools is known for its’ powerful healing properties, Read more…
Nyurnma (Freshly Burnt Country), Jurnpa (Ashes) “After the waru (fire) the wiliny (wind) comes through and blows all the jurnpa (ashes). The rain comes and makes it wet. Jurnpa everywhere, ready for yukuri (green grass, vegetation).” – Ngamaru Bidu This work depicts the practice of fire burning as it continues to be used today through the Martu homelands, Read more…
Puntawarri “We drink water at Puntawarri. We clean and dig that waterhole. This Country is Puntawarri. My nanna, Dadda, taught me to paint this Country. Puntawarri is important because it is my pop’s, my nannas’ husband’s, place. They camped there and went hunting for goanna or anything, kangaroo or turkey. Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Waru (fire) This work depicts the practice of fire burning as it continues to be used today through the Martu homelands. Over thousands of years, as Martu travelled and hunted on foot they would burn tracts of land, using waru (fire) as a means to assist with hunting and to Read more…
Nyurnma (Freshly Burnt Country), Jurnpa (Ashes) “After the waru (fire) the wiliny (wind) comes through and blows all the jurnpa (ashes). The rain comes and makes it wet. Jurnpa everywhere, ready for yukuri (green grass, vegetation).” – Ngamaru Bidu This work depicts the practice of fire burning as it continues to be used today through the Martu homelands, Read more…
Karlamilyi “This Karlamilyi area, big land. That’s a ngurra (home Country, camp) belonging to our old people, Warnman people. We talk for our land, our jila (snake). I grew up in this Country, my Country. This land belongs to our father. In pujiman (traditional, desert dwelling) days I walked around Read more…