Kurturarra “Kurturarra is my Grandmother’s Country. Warla (lake) with a spring. Tali (sandhills) all around.” – Beverley Rogers This site lies within Beverley’s ngurra (home Country, camp) through her grandmother. Kurturarra is a yinta (permanent spring) located within the largest of the salt lakes in the Percival Lakes region, and surrounded Read more…
Kurturarra “Kurturarra is my Grandmother’s Country. Warla (lake) with a spring. Tali (sandhills) all around.” – Beverley Rogers This site lies within Beverley’s ngurra (home Country, camp) through her grandmother. Kurturarra is a yinta (permanent spring) located within the largest of the salt lakes in the Percival Lakes region, and surrounded Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Pinangu Pinangu is a large claypan and adjacent soak located south east of Nyayartakujarra (Lake Dora). This site lies within Beverley’s ngurra (home Country, camp) through her mother. Pinangu features as a site in the Wati Kujarra (Two Goanna Men) Jukurrpa (Dreaming) narrative. The Wati Kujarra existed as half men, Read more…
Kurjarala “Kurjarala [is a] spring in the middle of the lake, north side of Bidyadanga. My family used to walk round there. Now [they’ve] all gone back to Punmu.” – Beverley Rogers As Beverley here describes, Kurjarala is a yinta (permanent spring) to the north of Bidyadanga, an Aboriginal community located on Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Rockholes Little Ones The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, an enormous tract dominated by distinctive red tali, or tuwa (sandhills). These sandhills present an unforgiving landscape; sparse vegetation covers a seemingly never ending expanse of dunes, and Read more…
Untitled This is Mitutu’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This painting portrays physical elements of Martu Country, such as the dominant tali (sandhills), warta (trees, vegetation), and water sources. Rock holes, waterholes, soaks and springs were all extremely important sites for Martu people during the pujiman (nomadic bush) era, with many important jukurrpa (dreamtime stories) chronicling the creation Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…