Bidyadanga “This painting is about the different types of seafood that are seasonal to eat at Bidyadanga. During the raining clouds season we are allowed to hunt for turtles, fish and stingrays. The women gather the shells, mussels and oysters and we can eat them. We gather food that is Read more…
Punmu Punmu refers to a region and an Aboriginal community within its vicinity, located 670km North-East of Newman. Created during the return to Country movement of the 1980s, with the recognition of Martu land rights and native title, the community was named after a nearby Jukurrpa (Dreaming) story. Punmu Aboriginal Read more…
Mungkulu Mungkulu is a rockhole located south east of Kumpupirntily (Kumpupintily, Lake Disappointment). This site lies within Dadda’s ngurra (home Country, camp), part of the area which she travelled with her family in her youth. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in Read more…
Untitled This painting is part of the Nyina-ya ngurrangka ngampurrpa (stay in your home safely) collection – a body of works by Martu artists in lockdown. From Monday 16th March Martumili Artists closed on-site art-production and retail, as a protective measure in the face of the COVID-19 pandemic. The remote Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled This is Wurta Amy French’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories Read more…
Minyipuru (Jakulyukulyu, Seven Sisters) The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, Read more…
Untitled This is Wurta Amy French’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…