Untitled “I was learning about painting from school and from watching Bamba’s [Corban Clause Williams] mob painting. Bamba is my little brother. I like a painting about Country, painting my grandfather’s Country- Kaalpa (Kalypa, Canning Stock Route Well 23). I also like to go hunting with my family.” – Robina Clause Robina is part Read more…
Rockhole “This is a rock hole coming- people coming this side and people coming round this side, coming to that water hole. This painting is about every rock hole in Mulialla where I used to work and we would walk and get some water from the rock holes and go Read more…
Waterhole This work depicts a waterhole within the artists’ ngurra (home Country, camp), typically represented with circular forms. Waterholes are sites that require maintenance, including digging to increase flow, clearing out surrounding growth, and cleaning up after sullying by camels or cattle. During the pujiman (traditional, desert dwelling) period, knowledge Read more…
Punmu waterholes “Punmu, I went there when I was a young girl, a teenager with my mother and father before my mother passed. Big mob of people was there. No building, just little cubby houses [bough shelters]. Long time I been there. These here are the waterholes around Punmu; Rawa Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Nyurnma Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Martu Country, is the practice of waru (fire burning); a practice that assists with hunting, regenerates growth, and encourages greater diversity in plant and animal life. When Martu Country burns, mosaic fire scars are Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Puntawarri “We drink water at Puntawarri. We clean and dig that waterhole. This Country is Puntawarri. My nanna, Dadda, taught me to paint this Country. Puntawarri is important because it is my pop’s, my nannas’ husband’s, place. They camped there and went hunting for goanna or anything, kangaroo or turkey. Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…