Kalaru (Samphire, salt bush) “You got to get that kalaru, grind it and make a damper. Get him up and wash him, wash him, wash him then grind him into flour for a damper. – Nyanjilpayi Nancy Chapman Kalaru (samphire, salt bush) is a salt tolerant succulent shrub, endemic to Read more…
Rockholes and Tali (Sandhills) The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, an enormous tract dominated by distinctive red tali, or tuwa (sandhills). These sandhills present an unforgiving landscape; sparse vegetation covers a seemingly never ending expanse of dunes, Read more…
Kulyakartu “My Country, Kulyakartu. I grew up there, from little boy to big boy grew up there.” – Muuki Taylor This painting depicts Kulyakartu, Muuki’s ngurra (home Country, camp). Kulyakartu is located in the far north of the Martu homelands, near the Percival Lakes region of Western Australia’s Great Sandy Desert. Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Nyurnma Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Martu Country, is the practice of waru (fire burning); a practice that assists with hunting, regenerates growth, and encourages greater diversity in plant and animal life. When Martu Country burns, mosaic fire scars are Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Mirtikanya (Mujupunkanu, Watchpoint Hill) Mirtikanya is a hill and claypan close to Balfour Downs Station and north of Jigalong Aboriginal community. During the pujiman (traditional, desert dwelling) era, Mintikanya was primarily used as a camping site in the wantajarra (wet season), when the claypan filled with kapi (water). Mirtikanya’s Read more…
Lake Disappointment (Kumpupirntily) “Thats Kumpupirntily- Lake Disappointment. The Cannibals live underneath the lake there, its a salt lake. [gesturing to the u-shaped symbols in the painting] That’s all the ladies sitting around the lake, sitting around the the claypans in the lake. That’s our Country, mine and Yunkurra’s Country.” – Read more…