Puntawarri Camp Near Lake Disappointment “We drink water at Puntawarri. We clean and dig that waterhole. This Country is Puntawarri. My nanna, Dadda, taught me to paint this Country. Puntawarri is important because it is my pop’s, my nannas’ husband’s, place. They camped there and went hunting for goanna or Read more…
Lake Disappointment (Kumpupirntily) “That’s near Puntawarr, other side is Kumpupirntily (Lake Disappointment), big salt lake. That’s all the kapi (water), and all the salt in the lake. All around are yapu (rocks/ hills).” This painting depicts Lake Disappointment near Puntawari. Dunes and green grasses surround the large salt lake. Kumpupirntily is one Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country). The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify with their ngurra in terms of specific rights and responsibilities, and the Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country). The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify with their ngurra in terms of specific rights and responsibilities, and the Read more…
Kartarru (Blue Hills Station, Canning Stock Route Well 24) “This Country is Bugai’s mother’s Country where they would stay for periods of time because they could hunt there and there was good, permanent kapi (water). Kartarru is Well 24 on the Canning Stock Route.“ – Bugai Whyoulter, as translated by Bugai’s Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Bush Tucker Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and Read more…
untitled This is Bugai’s Country- her ‘ngurra’ (home Country). The Western Desert term ‘ngurra’ is hugely versatile in application. Broadly denoting birthplace and belonging, ngurra can refer to a body of water, a camp site, a large area of Country, or even a modern house. People identify with their ngurra in terms of specific rights and responsibilities, and the Read more…
Jila Kujarra (Two Snakes) “Two jila (snakes) travelling. Old Warnman men, maparn (magic) men sat down to sing these snakes to sleep. Then they brought out a stone axe to sneak up and kill them, both snakes. The fat part, snake fat, burned away and melted into Nyayartakujarra (Lake Dora). Read more…