Untitled This painting portrays physical elements of Martu Country, such as the dominant tali (sandhills), warta (trees, vegetation), and water sources. Rock holes, waterholes, soaks and springs were all extremely important sites for Martu people during the pujiman (nomadic bush) era, with many important jukurrpa (dreamtime stories) chronicling the creation Read more…
Kaalpa (Well 23 “Kaalpa is my grandfather ngurra (home) where they walked, hunting bush tuckers. I went there for the first time this year [2018] on a Martumili KJ (Kanyirninpa Jukurrpa) trip. I went hunting there, got a parnajalpa (sand goanna). When I went there I was pukurlpa (happy). It made you open Read more…
Untitled This work portrays an area known intimately to the artist, painted here in exquisite detail from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), Read more…
Pujiman “This painting is of pujiman (traditional, desert dwelling) [people]. It’s around Parnngurr area. The men are getting ready to go hunting. There’s dingoes, Pujiman would get em as a little baby and raise em up to keep as hunting dogs. Kids staying home and women too. Shades are made from Read more…
Gingiana “Gingiana rockhole. A lot of water there, Kumarina way.” – Miriam Atkins This painting portrays physical elements of Martu Country, such as the dominant tali (sandhills), warta (trees, vegetation), and water sources. Rock holes, waterholes, soaks and springs were all extremely important sites for Martu people during the pujiman (nomadic bush) era, with many important jukurrpa (dreamtime Read more…
Wilarra “Two Rockholes other side Punmu- Kayili (North) all the way keep going Kakarra (East), long way. Dingomili ngurra (Dingo’s home). Big one is Willarra. Dingos all stay in that place together, wild one [dingo] became a quiet one. All the dingos come from that place. Make a kuna (faeces), go home. Kirl Kirl (Well 36), Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Jilukurru (Well 17) “One clay pan and running water, water belongs to there that jila (snake) he belongs to there. This is my Country, good Country. Long way from here [Newman] on the Canning Stock Route and the rabbit proof fence, we used to stop there go hunting, no road Read more…