Pujiman “This painting is of pujiman (traditional, desert dwelling) [people]. It’s around Parnngurr area. The men are getting ready to go hunting. There’s dingoes, Pujiman would get em as a little baby and raise em up to keep as hunting dogs. Kids staying home and women too. Shades are made from Read more…
Gingiana “Gingiana rockhole. A lot of water there, Kumarina way.” – Miriam Atkins This painting portrays physical elements of Martu Country, such as the dominant tali (sandhills), warta (trees, vegetation), and water sources. Rock holes, waterholes, soaks and springs were all extremely important sites for Martu people during the pujiman (nomadic bush) era, with many important jukurrpa (dreamtime Read more…
Wilarra “Two Rockholes other side Punmu- Kayili (North) all the way keep going Kakarra (East), long way. Dingomili ngurra (Dingo’s home). Big one is Willarra. Dingos all stay in that place together, wild one [dingo] became a quiet one. All the dingos come from that place. Make a kuna (faeces), go home. Kirl Kirl (Well 36), Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Jilukurru (Well 17) “One clay pan and running water, water belongs to there that jila (snake) he belongs to there. This is my Country, good Country. Long way from here [Newman] on the Canning Stock Route and the rabbit proof fence, we used to stop there go hunting, no road Read more…
Kaalpa (Kalypa, Canning Stock route 23) “Kaalpa (Kalypa, Canning Stock Route Well 23) is my grandfather’s Country. There’s a waterhole there, Kaalpa waterhole. It’s my two pops’ Country. They been walking around, hunting around Kaalpa. You can see a yapu (rock), warla (lake), claypans, karru (creek) and tuwa (sandhills) there. Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…