Untitled This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Wantili (Warntili, Canning Stock Route Well 25) “Bugai always tells about Wantili (Warntili, Canning Stock Route Well 25) because she grew up around Wantili. Her family would travel between Wantili, Kaalpa, Juntu-juntu, Raarki, and Wuranu Wells along the Canning Stock Route. She paints around Wantili. She saw whitefellas there for Read more…
Punmu Rockholes “Punmu [community]- I went there when I was a young girl, a teenager with my mother and father before my mother passed. Big mob of people was there. No building, just little cubbie houses (bower shelters). Long time I been there. These here are the waterholes around Punmu. Read more…
Untitled This painting represents an area in Bugai’s ngurra (home country), where she lived and travelled extensively throughout the pujiman (nomadic bush) era with her family. She travelled from what is now Balfour Downs Station, where she was born, all around the Parnngurr area and up and down the Canning Read more…
Nyurnma Jurnpa “After the waru (fire) the willi-willi (wind) comes through and blows all the jurnpa (black ashes). The rain comes and makes it wet. Jurnpa everywhere, ready for yukarri (green regrowth)” – Ngamaru Bidu Martu artists paint Country in all it’s different seasonal stages. Important to Martu, and to Read more…
Untitled Jakayu primarily paints her country around the Canning Stock Route. In the pujiman (nomadic bush) era, she travelled with her family through the land collecting wilyki (seeds). The circular forms depicted here represent special areas where grasses and wiylki can be found, or they symbolise different waterholes or camps. Rock Read more…
Emu “This painting shows an emu, when they lay their eggs they leave tracks from their nests with their nail, tip toeing around. Their eggs are alright for eating, but they are hard to find.” – Leon Cutter
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Wantili – Bugai & Cyril Whyoulter “This is my Grandmother’s Country, my Country- Wantili. Wantili is good for painting and telling stories. Our stories are still strong. I wanted to take Bugai back there. It is important place; she hadn’t been there for a long time. My grandmother always tells Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…