Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…
Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…
Linyji (claypan) This work depicts a linyji (claypan) within the artists’ ngurra (home Country, camp), typically represented with circular forms. Claypans were visited more often during the wet seasons as they filled with water. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Wantili (Warntili, Canning Stock Route Well 25) “Wantili (Warntili, Canning Stock Route Well 25) area, close to Parnngurr. My ngurra (home Country, camp), my jamu’s (grandfather’s) Country, my father’s daddy, Jakayu [Biljabu’s] daddy and my daddy’s Country. Jakayu been bury her father there. In pujiman (traditional, desert dwelling) days, my Read more…
Bush Tucker Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and Read more…
Untitled – Landscape Aerial “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So Read more…
Rockhole “This is a rock hole coming- people coming this side and people coming round this side, coming to that water hole. This painting is about every rock hole in Mulialla where I used to work and we would walk and get some water from the rock holes and go Read more…
Rockhole “This is a rock hole coming- people coming this side and people coming round this side, coming to that water hole. This painting is about every rock hole in Mulialla where I used to work and we would walk and get some water from the rock holes and go Read more…
Untitled – Landscape Aerial “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So Read more…