Yimiri “Yimiri is [at] a salt lake. There’s two water in the middle, drinking water. That’s a drinking water for us. You can walk right up to lake in the middle of the salt. It’s fresh and beautiful. You gotta sing out for Yimiri, that’s a snake Country. That’s a Read more…
Kupankurlu “It’s a waterhole, yuwayi (yes), a soak. There’s plenty kalyu (water) there. It’s kayili (east) from here [Parnngurr]. Plenty tali (sandhills), plenty warta (trees, vegetation). It’s a camping area, my ngurra (home Country, camp). Sandhills, minyarra (bush onions), pretty flowers and green grass around the waterhole” – Ngarga Thelma Judson Read more…
Kupankurlu “It’s a waterhole, yuwayi (yes), a soak. There’s plenty kalyu (water) there. It’s kayili (east) from here [Parnngurr]. Plenty tali (sandhills), plenty warta (trees, vegetation). It’s a camping area, my ngurra (home Country, camp). Sandhills, minyarra (bush onions), pretty flowers and green grass around the waterhole” – Ngarga Thelma Judson Read more…
Untitled “When Martu paint, it’s like a map. Martu draw story on the ground and on the canvas, and all the circle and line there are the hunting areas and different waters and tracks where people used to walk, and [some you] can’t cross, like boundaries. So nowadays you see Read more…
Untitled This painting is a collaborative work between Ivy Bidu and her partner Leon Cutter. They often collaborate on their paintings in the Newman Martumili studio. Ivy learnt painting from Ngamarru (Bidu) her older sister and aunty Jakayu (Biljabu) giving her some ideas of painting country. Leon learnt to paint Read more…
Untitled This painting is a collaborative work between Ivy Bidu and her partner Leon Cutter. They often collaborate on their paintings in the Newman Martumili studio. Ivy learnt painting from Ngamarru (Bidu) her older sister and aunty Jakayu (Biljabu) giving her some ideas of painting country. Leon learnt to paint Read more…
Untitled This painting represents the “Rock hole’ Jurnu, Yinta, everything!!” When the artist was younger during the Pujiman (bush) days she walked around a very extensive area of the desert all around the Canning Stock Route area. They would walk from water source to water source; this is what she Read more…
Untitled This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Kumpaya’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…