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Ngurra (home country, camp) This is Jakayu’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) Read more…

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Taji “Taji- down Kumarina way. That’s where Putijarra people all been living, that’s our camping ground. We been get two [Native Title] determinations for our Country. We had a court in Kumarina, and we been win for that.” – Miriam Atkins This painting portrays physical elements of Martu Country, such Read more…

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Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…

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Gingiana “Gingiana rockhole. A lot of water there, Kumarina way.” – Miriam Atkins This painting portrays physical elements of Martu Country, such as the dominant tali (sandhills), warta (trees, vegetation), and water sources. Rock holes, waterholes, soaks and springs were all extremely important sites for Martu people during the pujiman (nomadic bush) era, with many important jukurrpa (dreamtime Read more…

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Wantili (Warntili, Canning Stock Route Well 25)   “Wantili is my place, where I was born. It’s a place where everyone was living- its all of their ngurra (home).It’s the Jukurrpa (Dreaming) of that place. All those claypans, a place where everyone comes together for ceremony and gatherings, all meeting with different families. I Read more…

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