Blue Hills This painting depicts Blue Hills, which is Miriam’s father’s ancestral country. Kajarra (Kadjara) is the Martu name for the Carnarvon Ranges, which are situated in the Little Sandy Desert around 50 kilometres west of Well 5 on the Canning Stock Route. The red granite battlements of Kadjara rise Read more…
Untitled This is Pinyirr’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Pinyirr’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled Mabel was born in the 1920s at Yirajara, which is near Jurntu Jurntu. Her parents were both Warnman people whose country encompassed Tarl and Nayijara. Mabel grew up in the pujiman (bush) way through her teens and as an adult, she walked into Jigalong Mission. She paints her ngurra Read more…
Nungabar (Nyangapa) Nora This is Nungabar’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories Read more…
Puntawarri and Pimpi This painting depicts the country around Pimpi and Puntawarri, an area in the artist’s country. Puntawarri, a now abandoned community is in-between Jigalong and the Canning Stock Route, Pimpi is an area near here. This place is an important cultural area, east of the Jigalong Aboriginal Community, Read more…
Warran This painting encompasses many different layers of meaning for the artist. It represents an area of the artist’s Warran (country) where he lived and travelled traditionally during the pujiman (bush) days. The lines represent the tali (sand hills) that are prevalent in the Western Desert and the circles or Read more…
Untitled This is Wurta Amy French’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…