Bush Tucker Depicted in this work are traditional types of bush tucker, their habitats, and their related hunting and gathering methods. During the pujiman (traditional, desert dwelling) period, Martu would traverse very large distances annually in small family groups, moving seasonally from water source to water source, and hunting and Read more…
Untitled This is Bugai’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical Read more…
Pitu This painting depicts Pitu, an area east of Parnngurr in the Western Desert. Pitu is the artist’s home country. The artist’s surname “Bidu” is non-standard spelling of this placename.
Kumpupirntily ““If they dig him up, anybody, blackfella, whitefellas they’ll get killed! Ngayurnangalku still there [in Kumpupirntily]. No people gotta go come to this place. If they go there it’s one way! There’s a cannibal there. Don’t come to this place- you might get killed! They gonna eat you for Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled “The old people, they sit down and paint and tell stories of the old days, and we listen and learn.” – Corban Clause Williams Transfer of cultural knowledge through visual arts is an important way for Martu artists to keep their culture strong. Younger Martu artists typically begin painting Read more…
Untitled Doreen first learned to paint alongside her mother, beginning her artistic career with Martumili Artists in March 2009 when she and the other women of Punmu painted a large collaborative artwork to raise funds for the community. Doreen is now an established artist in her own right, known for Read more…
Untitled Doreen first learned to paint alongside her mother, beginning her artistic career with Martumili Artists in March 2009 when she and the other women of Punmu painted a large collaborative artwork to raise funds for the community. Doreen is now an established artist in her own right, known for Read more…
untitled “This one here. Yeah. That’s Jigalong. I’ve been there. I was working there. That’s good, this one here. Stories, yeah? This one here. I was painting in Jigalong. This one’s the cars. The cars. And the houses in Jigalong. And then the sandhills, lakes. That’s the lake [points to Read more…