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Patjarr Creek

Patjarr is an Aboriginal Community located in the heart of the Gibson Desert.The creek rarely flows but forms a waterhole close to the community which is rich in wild life and of cultural significance to the Patjarr people.

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Tingari

A large group of Tingari men travelled from Tjukula north to Pirmal, then east to the sacred cave site of Mitukatjirri (southeast of Kintore), continuing through Kintore and further northwest to Pinari

Morris Bennett is the son of renowned Pintupi artist John John Bennett Tjapangati, who passed this Tingari story on to him.

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Minyma Kutjarra at Docker River

This painting depicts the Minyma Kutjarra Dreamtime story as the women travelled through Docker River up north to Kintore. This is a sacred dreamtime story and not much more can be said.

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Elaine Papulankutja Dreaming

Elaine is a painter from Papulankutja (Blackstone) who now resides at Wanarn Aged Care. Elaine paints tjukurrpa from her country of Papulankutja, which includes songlines for associated tjukurrpa of Wati Kutjarra and Lirru – carpet python dreaming.

Warakurna Artists works closely with Wanarn Aged Care Facility to conduct painting sessions with elderly patients. This program nurtures artists who have contributed largely to one of the most significant art movements in Australia. The joyous communal activity has a myriad of positive benefits such as reliving boredom and frustration. Health staff report that this diversional therapy helps to reduce patient’s drug intake and the old people rejoice in sharing and passing on their important Tjukurrpa with their families who visit them when the workshops are conducted. Warakurna Artists is a positive and powerful example of Aboriginal businesses managed and governed by artists and community elders ensuring the wealth of talent and economic returns are retained in the community.

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My Grandmother’s Country

This painting is about Maureen’s grandmother’s country in the Gibson Desert near Kulkurta, Central Australia. Her mother and siblings were all born here so Maureen feels a strong connection to this part of the lands. There are many water holes in the desert which become important landmarks as water is scarce. Families travel from rockhole to rockhole to camp and collect water. Maureen has included these in her painting as well as the tali (sand hills)

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Elaine Papulankutja Dreaming

Elaine is a painter from Papulankutja (Blackstone) who now resides at Wanarn Aged Care. Elaine paints tjukurrpa from her country of Papulankutja, which includes songlines for associated tjukurrpa of Wati Kutjarra and Lirru – carpet python dreaming.

Warakurna Artists works closely with Wanarn Aged Care Facility to conduct painting sessions with elderly patients. This program nurtures artists who have contributed largely to one of the most significant art movements in Australia. The joyous communal activity has a myriad of positive benefits such as reliving boredom and frustration. Health staff report that this diversional therapy helps to reduce patient’s drug intake and the old people rejoice in sharing and passing on their important Tjukurrpa with their families who visit them when the workshops are conducted. Warakurna Artists is a positive and powerful example of Aboriginal businesses managed and governed by artists and community elders ensuring the wealth of talent and economic returns are retained in the community.

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My Grandmother’s Country

This painting is about Maureen’s grandmother’s country in the Gibson Desert near Kulkurta, Central Australia. Her mother and siblings were all born here so Maureen feels a strong connection to this part of the lands. There are many water holes in the desert which become important landmarks as water is scarce. Families travel from rockhole to rockhole to camp and collect water. Maureen has included these in her painting as well as the tali (sand hills)

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Walu Rockhole Dreaming, Emu Heart, The Boy Who Tur

This painting depicts a story from the Walu rockhole. There were two men and one little boy camping at the rockhole. The men went hunting and the little boy stayed. The men returned with an emu and pulled out its heart. The boy was holding the heart and blood spilt out onto the rocks. He ran away with the heart and turned into wind. The emu’s blood trail stained the rocks and it can stilll be seen there today.

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Nyungawarra Patjarr

I am painting Yankuntjuntju. It is my grandmother’s country, close to Patjarr. There’s a rockhole close. I like to paint my story, my grandfather’s, my grandmother’s. My father’s mother passed away at that rockhole, that is why I’m painting. My grandmother had two sons, two daughters. [She] passed away right there, rockhole side. I also paint Karrku, that’s my nyal-ku Tjukurrpa, (my dreaming) Porcupine dreaming in that place. I think about these stories and my family when I am painting. Proper story. Painting keeps my family, and these stories close to me.

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Nyungawarra Patjarr

I am painting Yankuntjuntju. It is my grandmother’s country, close to Patjarr. There’s a rockhole close. I like to paint my story, my grandfather’s, my grandmother’s. My father’s mother passed away at that rockhole, that is why I’m painting. My grandmother had two sons, two daughters. [She] passed away right there, rockhole side. I also paint Karrku, that’s my nyal-ku Tjukurrpa, (my dreaming) Porcupine dreaming in that place. I think about these stories and my family when I am painting. Proper story. Painting keeps my family, and these stories close to me.