111982176679



Wurum (Fish Increasing Spirit)

Aboriginal people throughout Australia undertook rituals, which were designed to result in the increase of various natural species. The Rembarrnga people of Central Arnhem Land tell of the spirit being Wurum who had a human form and carried fish in dilly bags. He is sometimes depicted with fins called konno on his legs and arms suggesting a transformational human-fish nature.

In order to create an abundance of certain fish species, Rembarrnga people would draw an image of Wurum on the side of a tree. They would then call out the following invocation; Deny ngarra-jalman ngarr-mangara, ‘We want to get fish’. Following this they would sleep for a night and then it is said that there would be an increase in fish.
Wurum is associated with a site called Kukaddjerre in Balngarra clan estate south of Maningrida. The Wurum also has a further function.

Burruwal described the paperbark Wurum he constructed as the ‘true’ or original form. This suggests that the more solid wooden carving may have been a later innovation. The artist told that ‘in the early days’ these paperbark figures would be placed, standing upright, around a mortuary site for two distinct purposes; to watch and ward off evil spirits, and to signal to people the presence of a mortuary location, so they could find or stay clear of it.

The ability of a contemporary artist like Burruwal to make these highly traditional paperbark figures – a relic of a bygone era – underscores the intimate spiritual links Burruwal has to his personal ancestry.

111982176678



Wurum (Fish Increasing Spirit)

Aboriginal people throughout Australia undertook rituals, which were designed to result in the increase of various natural species. The Rembarrnga people of Central Arnhem Land tell of the spirit being Wurum who had a human form and carried fish in dilly bags. He is sometimes depicted with fins called konno on his legs and arms suggesting a transformational human-fish nature.

In order to create an abundance of certain fish species, Rembarrnga people would draw an image of Wurum on the side of a tree. They would then call out the following invocation; Deny ngarra-jalman ngarr-mangara, ‘We want to get fish’. Following this they would sleep for a night and then it is said that there would be an increase in fish.
Wurum is associated with a site called Kukaddjerre in Balngarra clan estate south of Maningrida. The Wurum also has a further function.

Burruwal described the paperbark Wurum he constructed as the ‘true’ or original form. This suggests that the more solid wooden carving may have been a later innovation. The artist told that ‘in the early days’ these paperbark figures would be placed, standing upright, around a mortuary site for two distinct purposes; to watch and ward off evil spirits, and to signal to people the presence of a mortuary location, so they could find or stay clear of it.

The ability of a contemporary artist like Burruwal to make these highly traditional paperbark figures – a relic of a bygone era – underscores the intimate spiritual links Burruwal has to his personal ancestry.

111982176676



Wurum (Fish Increasing Spirit)

Aboriginal people throughout Australia undertook rituals, which were designed to result in the increase of various natural species. The Rembarrnga people of Central Arnhem Land tell of the spirit being Wurum who had a human form and carried fish in dilly bags. He is sometimes depicted with fins called konno on his legs and arms suggesting a transformational human-fish nature.

In order to create an abundance of certain fish species, Rembarrnga people would draw an image of Wurum on the side of a tree. They would then call out the following invocation; Deny ngarra-jalman ngarr-mangara, ‘We want to get fish’. Following this they would sleep for a night and then it is said that there would be an increase in fish.
Wurum is associated with a site called Kukaddjerre in Balngarra clan estate south of Maningrida. The Wurum also has a further function.

Burruwal described the paperbark Wurum he constructed as the ‘true’ or original form. This suggests that the more solid wooden carving may have been a later innovation. The artist told that ‘in the early days’ these paperbark figures would be placed, standing upright, around a mortuary site for two distinct purposes; to watch and ward off evil spirits, and to signal to people the presence of a mortuary location, so they could find or stay clear of it.

The ability of a contemporary artist like Burruwal to make these highly traditional paperbark figures – a relic of a bygone era – underscores the intimate spiritual links Burruwal has to his personal ancestry.

111982176674



Kinga (Crocodile)

This is a painting of kinga, also known as namanjwarre, the saltwater crocodile (crocodylus porosus). These animals are totems for people of Yirridjdja moiety, one of the two patrimoieties of Arnhem Land aboriginal cultures. Crocodiles are rarely killed for food but their eggs are keenly sought after during the wet season when the females are nesting.

A major crocodile sacred site exists near the outstation of Kurrindin, in the Liverpool River district.

111982176656



Galawon (Goanna)

This painting depicts two goannas embedded in an intricate depiction of gungara, the mini cyclones common during the wet season in Arnhem Land. Gungara also relates specifically to the Bilwoyinj site. At this site, two of the most important Kuninjku creation beings, a father and son, hunted and ate goanna. They left some goanna fat behind, which turned into the rock that still stands at the site today.

111982176654



Galawon (Goanna)

This painting depicts two goannas embedded in an intricate depiction of gungara, the mini cyclones common during the wet season in Arnhem Land. Gungara also relates specifically to the Bilwoyinj site. At this site, two of the most important Kuninjku creation beings, a father and son, hunted and ate goanna. They left some goanna fat behind, which turned into the rock that still stands at the site today.

111982176640



Bush Jewellery – Earrings

The women of Maningrida and surrounding homelands use a combination of locally found seeds, bone and shells to make a variety of jewellery including necklaces. earrings and bracelets.  Many of the artists use complex patterns and designs to make their beautiful creations.

111982176637



Bush Jewellery – Earrings

The women of Maningrida and surrounding homelands use a combination of locally found seeds, bone and shells to make a variety of jewellery including necklaces. earrings and bracelets.  Many of the artists use complex patterns and designs to make their beautiful creations.

111982176635



Bush Jewellery – Earrings

The women of Maningrida and surrounding homelands use a combination of locally found seeds, bone and shells to make a variety of jewellery including necklaces. earrings and bracelets.  Many of the artists use complex patterns and designs to make their beautiful creations.

111982176633



Bush Jewellery – Earrings

The women of Maningrida and surrounding homelands use a combination of locally found seeds, bone and shells to make a variety of jewellery including necklaces. earrings and bracelets.  Many of the artists use complex patterns and designs to make their beautiful creations.