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Banda (Long Necked Turtle)
The long necked turtle is a dreaming totem for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory
The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangga (Creator Beings), long ago close to the beginning of time. These creator beings moved across the country side, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it.
These creator spirits took many forms. When they gave the land to each group they also gave songs, dances, ceremony, the associated laws and language. The Creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Some of their major Creative Beings include Banda (freshwater long neck turtle) and Yalman (water lilies).
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Banda (Long Necked Turtle)
The long necked turtle is a dreaming totem for the freshwater people, the Ganalbingu, whose country includes the World Heritage listed, Arafura Wetlands in Central Arnhem Land, Northern Territory
The Yolngu (people) of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangga (Creator Beings), long ago close to the beginning of time. These creator beings moved across the country side, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it.
These creator spirits took many forms. When they gave the land to each group they also gave songs, dances, ceremony, the associated laws and language. The Creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Some of their major Creative Beings include Banda (freshwater long neck turtle) and Yalman (water lilies).
115682191353
Burala (Diving Ducks]
This painting depicts diving ducks, both realistically and symbolically. A particular clan group uses the object in the painting during a hollow log ceremony (traditional funeral ceremony). The rrark (cross hatching) is the water. One group will perform the catfish dance whilst another performs as diving ducks. The object is whirled above the head to make a noise that emulates the ducks “roar”. The dance crescendos into the catfish coming closer to the diving ducks allowing them to eat the catfish in a frenzy.
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Mindirr (Pandanus Bag)
Miṉḏirr (dilly bags) are made from gunga (Pandanus spiralis), baḻgurr (kurrajong) and natural bush dyes. The body of the miṉḏirr is made from gunga, and the handles from baḻgurr. Once the gunga fronds and baḻgurr bark have been collected, they are stripped and prepared then boiled with the dyes.
Miṉḏirr were used traditionally for every day utilitarian purposes, particularly collecting bush foods such as bäḻtji (yam). Traditionally, the baḻgurr handles were worn across the forehead while the body of the miṉḏirr sat at the back, between the shoulder blades making it easily accessible when collecting ŋatha (food).
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Painted Driftwood
These pieces of driftwood were collected by the artist, on country, at the local beach, Weary Bay.
Each one is hand painted and reflects the artists culture and stories, which makes each one unique and individual.
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Yawkyawk dja Wayuk (Young Woman Spirit and Water Lily)
Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. This image depicts a female water spirit, or yawkyawk, from a creek in the rock country near Yikkarakal. The Yawkyawk is a story of the Duwa moiety that Deborah learnt to paint from her father.
Yawkyawk are water spirits (mermaids) and also young women. This design is yawkyawk in the billabong near Yikkarakal. Yawkyawk move like women, the one on the left is the old woman and on the right is the young woman. They are mother and daughter.
“Sometimes you can hear yawkyawk talking at night. My grandmother told me a story that they heard those yawkyawk and when they looked out with their torch at night, all the women saw the yawkyawk tails flapping and disappearing in the water. The water is very cold in that billabong and the sand is soft, you might fall down there in the mud. There are also wayuk (water lilies) in this design, and other grasses. Sometimes when they are cold, the yawkyawk get out of the water to lie in the sun, but when they hear our footsteps they quickly jump back in.
when wer were on the outstation our elders would tell us this story of the Yawkyawk. They look after my place. They also give a babay to you.” – Deborah Wurrkidj
Beautiful black linen with slight stretch, grey white and ochre ink.
Hand Screen Printed by Publisher, Sydney Australia
377810582191172
Yawkyawk dja Wayuk (Young Woman Spirit and Water Lily)
Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. This image depicts a female water spirit, or yawkyawk, from a creek in the rock country near Yikkarakal. The Yawkyawk is a story of the Duwa moiety that Deborah learnt to paint from her father.
Yawkyawk are water spirits (mermaids) and also young women. This design is yawkyawk in the billabong near Yikkarakal. Yawkyawk move like women, the one on the left is the old woman and on the right is the young woman. They are mother and daughter.
“Sometimes you can hear yawkyawk talking at night. My grandmother told me a story that they heard those yawkyawk and when they looked out with their torch at night, all the women saw the yawkyawk tails flapping and disappearing in the water. The water is very cold in that billabong and the sand is soft, you might fall down there in the mud. There are also wayuk (water lilies) in this design, and other grasses. Sometimes when they are cold, the yawkyawk get out of the water to lie in the sun, but when they hear our footsteps they quickly jump back in.
when wer were on the outstation our elders would tell us this story of the Yawkyawk. They look after my place. They also give a babay to you.” – Deborah Wurrkidj
Beautiful black linen with slight stretch, grey white and ochre ink.
Hand Screen Printed by Publisher, Sydney Australia
377810582191167
Eiffel tower and the Maladj spirit
“I want to tell you about my design, that Eiffel tower one.
This year it was my first time going to Paris. I didn’t know that place, nothing. We travelled around the world to get there, we flew underneath the world in an aeroplane.
Paris was a big, crowded city. They speak a different language there, just like here in Maningrida with all our different languages.
The Bábbarra artists and Ingrid, we were all walking around, like tourists. We went on the boat in the Paris river. There was a film crew taking videos of us. We saw so many beautiful buildings covered with black string (iron balconies) and big statues. We’d never seen things like that before.
I remember when we got off that boat and I looked up and saw that tower. When I first looked up at that tower, it made me happy- it’s so long up into the sky. We walked towards it. I was standing there watching that tower and thinking, ‘wow, first time for me seeing a tower like that’.
Then I was thinking, and I said to myself, when I go back to my own country, I’m going to paint that tower.
We came to Maningrida, I started to draw. I drew that tower from France, but also I drew maladj (stone country orphan spirit), women’s sacred woven mat, fish traps and rolk (insects). I also put round kunngol (clouds) in the design, those circles. That maladj spirit, it’s standing there next to the Eiffel tower, looking at the dancing lights at night. The tower is from Paris, but everything else in my design I took from my mother’s country and my father’s country.
Maybe one day I’ll travel back to France, and take my design with me to show them, all the French mob.” Janet Marawarr
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Kunjuri, shield
I am painting kunjuri (shield). Our ancestors used kunjuri and wakay (sword) for fighting to protect themselves from getting hurt.
I started watching my grandfather paint when I was 12 years old. He taught me a lot about my culture, and this is why I am interested in kunjuri. My kunjuri are abstracted. When the Missionaries came here to Wujal Wujal; they tried to stop my people from speaking language and practicing our traditions and because of this we lost some of the knowledge. However, the old people were very strong and even though it was very hard they carried our culture despite the Missionaries and kept it strong.