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Baidam Au Titui 2012

From the time of our forefathers, astrology has always been a significant factor in our existence in Zedath Kes (Torres Strait).
The constellation depicted in my artwork is taught from our forefathers as the Baidam Au Titui. This constellation only appears in ours skies for six months of the year from April-November. It is used as a seasonal calendar to guide the hunting of traditional seafood and acts in sync with the phases of the moon.

Also depicted is a dugong platform called a noat (sea-going mat-sail canoes), harpoons were once used by our ancestors as traditional methods when hunting for dugong. I have also shown my totem, the shovel-nose shark.

With printmaker: Andrew Sinclair

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Baltji (Yam)

This painting depicts Baltji (Yam) which has been a reliable food source for Yolngu people for many centuries. Baltji can be found across the different landscapes of East Arnhem Land and are only harvested seasonally. 

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JB Fisher – Narrgi’ṉarrgi (possum- sugar glider)

JB paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally, and JB would have learnt these stories from his ancestors. The cross-hatching style is a traditional painting style of this area and can represent elements such as water, air and wind.

His paintings often feature totemic animals of the fresh waters of north east Arnhem Land.

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Gumang (Magpie Geese)

The Yolngu people of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangarr (Creative Beings) long ago close to the beginning of time.

The creator beings moved across the country side, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These Creative Spirits took many forms. When they gave the land to each group they also gave songs, dances, ceremony, the associated laws and language. The Creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land.

In this painting, the artist has depicted Gumang (magpie geese), which are sacred to the Ganalbingu people. To the east of the Arafura Swamp is a freshwater billabong which is said to have been made by the Goose Spirit and is in the shape of a goose nest. As a result, geese, their eggs and their nests are sacred.

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Hunting Story

This painting depicts naku (canoes) that were made traditionally from the bark of a stringbark tree and used for hunting. In this painting, Andrew has depicted a Yolngu man hunting for gumang (magpie geese) eggs and also the geese.

The wife waits with her dilly bag to transport the food back to the campsite. This is an old way story about how Andrews ancestors lived.

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Ngawiya – Sea Turtle

This painting represents the sea turtle, Ngawiya.

When my family go Ngawiya hunting, the Ngawiya is shared amongst all the families in the community. This mayi (food) is for special occasions. 

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Ngawiya – Sea Turtle

This painting represents the sea turtle, Ngawiya.

When my family go Ngawiya hunting, the Ngawiya is shared amongst all the families in the community. This mayi (food) is for special occasions. 

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Art Centre notes: The bag is made of natural raffia / cotton / jute It is made using a traditional ‘one twist’ method. The dyes are commercial and colour fast

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Art Centre notes: The bag is made of natural raffia / cotton / jute It is made using a traditional ‘one twist’ method. The dyes are commercial and colour fast

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Art Centre notes: The bag is made of natural raffia / cotton / jute It is made using a traditional ‘one twist’ method. The dyes are commercial and colour fast