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Baidam Tulu (Wattle Tree), 2011

The harpoon is a significant tool in the skilled and often dangerous pursuit of Dugong and Turtle in the waters of the Torres Strait where this hunting is allowed for cultural purposes as is our tradition.

The harpoon can be made from various hardwoods but the preferred source as taught by our forefathers is the Baidam Tulu – a native species of wattle which grows on Mua Island. Depicted within my minaral (patterns and design) are a Dugong, Turtle, two turtle shell masks used to emphasise the cultural significance of the Baidam Tulu. Also revealed is my totem, the Shovel-nosed Shark.

PRINTMAKER: Andrew Sinclair and the artist

359709480590130



Baidam Tulu (Wattle Tree), 2011

The harpoon is a significant tool in the skilled and often dangerous pursuit of Dugong and Turtle in the waters of the Torres Strait where this hunting is allowed for cultural purposes as is our tradition.

The harpoon can be made from various hardwoods but the preferred source as taught by our forefathers is the Baidam Tulu – a native species of wattle which grows on Mua Island. Depicted within my minaral (patterns and design) are a Dugong, Turtle, two turtle shell masks used to emphasise the cultural significance of the Baidam Tulu. Also revealed is my totem, the Shovel-nosed Shark.

PRINTMAKER: Andrew Sinclair and the artist

359709480590129



Baidam Tulu (Wattle Tree), 2011

The harpoon is a significant tool in the skilled and often dangerous pursuit of Dugong and Turtle in the waters of the Torres Strait where this hunting is allowed for cultural purposes as is our tradition.

The harpoon can be made from various hardwoods but the preferred source as taught by our forefathers is the Baidam Tulu – a native species of wattle which grows on Mua Island. Depicted within my minaral (patterns and design) are a Dugong, Turtle, two turtle shell masks used to emphasise the cultural significance of the Baidam Tulu. Also revealed is my totem, the Shovel-nosed Shark.

PRINTMAKER: Andrew Sinclair and the artist

359709480590125



Baidam Tulu (Wattle Tree), 2011

The harpoon is a significant tool in the skilled and often dangerous pursuit of Dugong and Turtle in the waters of the Torres Strait where this hunting is allowed for cultural purposes as is our tradition.

The harpoon can be made from various hardwoods but the preferred source as taught by our forefathers is the Baidam Tulu – a native species of wattle which grows on Mua Island. Depicted within my minaral (patterns and design) are a Dugong, Turtle, two turtle shell masks used to emphasise the cultural significance of the Baidam Tulu. Also revealed is my totem, the Shovel-nosed Shark.

PRINTMAKER: Andrew Sinclair and the artist

115682241678



Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

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Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Warrnyu Dhawu (Flying Fox Story)

Back in the Creation time, Warrnyu (Flying Foxes) once lived, like men, in the cave at the place called Kurrki Warrnyu Yirri Djaringal (they also lived in caves called Wadatilmurr & Gurngurmirrngu). Warrnyu lived in these caves for many years and then one day Djanyarr (The Dog), an ancestral being in the form of a man, came along. He was looking around for a place to live. Djanyarr heard the sound of a Flying Fox screaming. He went down to the cliff and pushed the rock and the water came out at the Ganalbingu place called Gurrkawakarrmurr. He then went into the cave and into the sacred hole, frightening all the Flying Fox away. When he went into the hole he left his dilly bag in the tree and went out on the other side of the sacred cave and leaving his spear and woomera. He sat there for a long time. The Dog made three streams and the water went inside the cave. Two of these streams are good drinking water. In the middle it is a sacred water. No-one drinks from the middle of the stream. Children, men, women, young boys or girls are not allowed to drink from the middle of the stream. If they drink the water from the middle of the stream they will go grey too early.

At Kurrki Warrnyu Yirri Ngilaya Djaringal, the Flying Fox made himself into a young man… that’s what Aboriginal people do today. They have ceremonies and dances to make the young boys into men. The songs are called Yirrarwu, Gulumu, Rruburra and Burryun. Dhapi (initiation ceremony) happen today because the Warrnyu (Flying Fox) people performed them a long time ago before the Yolgnu people. It was the Warrnyu people who first performed circumcision of the young boys to make them into men. It all happened at Kurrki Warrnyu Yirri Ngilaya Djaringal, this is how this place got its name.

Leaving behind the cave at Kurrki Warrnyu Yirri Djaringal, the Dog travelled west across the Arafura Swamp and came to Djalkulmurr (Mount Delight). From there he travelled north and came to Dunganda (a hill situated a few kilometres east of Ramingining). There he met a female Dog, then they both headed north and came to a place called Garanydjirrmurr where they spoke the Mildjingi language. From Garanydjirrmurr they changed their direction and went west through Guliny’barra, Burgumara and onto the plains. When they reached the plains they smelled something cooking, way up in the north – at Wessel Islands. The aroma they smelt was so enticing that they decided to go there. Lungurrma (the north-east wind) was carrying the smell. One Dog headed north again, but the other Dog decided not to go with him and went back the opposite way. The first Dog that went to Malwanatharra (Sandy Point) went into the sea following its nose to wherever the smell was coming from. It is believed that this Dog still lives in the sea…

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

115682241784



Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong.