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Saxa ground Black Pepper

In these reproduction prints of original paintings, Curtis Taylor subverts the concept of ‘Bush Tucker’, in depicting staple pantry items of the Martu diet, alongside familiar Australian food products. In his imagery, Curtis draws inspiration from the iconic Campbell’s Soup prints by Andy Warhol, which have become a recognisable symbol of Pop Art. Curtis’ art takes a unique twist, elevating everyday foods and items into vibrant expressions of contemporary Aboriginal culture, akin to traditional food sources valued by Martu. Curtis explores his relationship with food as a powerful symbol of shared experience, nostalgia, and food sovereignty- particularly when considered within the context of a cost-of-living crisis, which is felt particularly acutely in remote Aboriginal communities.

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Bush Tucker

In these reproduction prints of original paintings, Curtis Taylor subverts the concept of ‘Bush Tucker’, in depicting staple pantry items of the Martu diet, alongside familiar Australian food products. In his imagery, Curtis draws inspiration from the iconic Campbell’s Soup prints by Andy Warhol, which have become a recognisable symbol of Pop Art. Curtis’ art takes a unique twist, elevating everyday foods and items into vibrant expressions of contemporary Aboriginal culture, akin to traditional food sources valued by Martu. Curtis explores his relationship with food as a powerful symbol of shared experience, nostalgia, and food sovereignty- particularly when considered within the context of a cost-of-living crisis, which is felt particularly acutely in remote Aboriginal communities.

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Rice Cream

In these reproduction prints of original paintings, Curtis Taylor subverts the concept of ‘Bush Tucker’, in depicting staple pantry items of the Martu diet, alongside familiar Australian food products. In his imagery, Curtis draws inspiration from the iconic Campbell’s Soup prints by Andy Warhol, which have become a recognisable symbol of Pop Art. Curtis’ art takes a unique twist, elevating everyday foods and items into vibrant expressions of contemporary Aboriginal culture, akin to traditional food sources valued by Martu. Curtis explores his relationship with food as a powerful symbol of shared experience, nostalgia, and food sovereignty- particularly when considered within the context of a cost-of-living crisis, which is felt particularly acutely in remote Aboriginal communities.

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Untitled

In these reproduction prints of original paintings, Curtis Taylor subverts the concept of ‘Bush Tucker’, in depicting staple pantry items of the Martu diet, alongside familiar Australian food products. In his imagery, Curtis draws inspiration from the iconic Campbell’s Soup prints by Andy Warhol, which have become a recognisable symbol of Pop Art. Curtis’ art takes a unique twist, elevating everyday foods and items into vibrant expressions of contemporary Aboriginal culture, akin to traditional food sources valued by Martu. Curtis explores his relationship with food as a powerful symbol of shared experience, nostalgia, and food sovereignty- particularly when considered within the context of a cost-of-living crisis, which is felt particularly acutely in remote Aboriginal communities.

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Keen Curry Powder

In these reproduction prints of original paintings, Curtis Taylor subverts the concept of ‘Bush Tucker’, in depicting staple pantry items of the Martu diet, alongside familiar Australian food products. In his imagery, Curtis draws inspiration from the iconic Campbell’s Soup prints by Andy Warhol, which have become a recognisable symbol of Pop Art. Curtis’ art takes a unique twist, elevating everyday foods and items into vibrant expressions of contemporary Aboriginal culture, akin to traditional food sources valued by Martu. Curtis explores his relationship with food as a powerful symbol of shared experience, nostalgia, and food sovereignty- particularly when considered within the context of a cost-of-living crisis, which is felt particularly acutely in remote Aboriginal communities.

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Pilbara Eagle

This is the eagle that flies over the Pilbara. In language it is called a jarburrungu.

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Table Salt

In these reproduction prints of original paintings, Curtis Taylor subverts the concept of ‘Bush Tucker’, in depicting staple pantry items of the Martu diet, alongside familiar Australian food products. In his imagery, Curtis draws inspiration from the iconic Campbell’s Soup prints by Andy Warhol, which have become a recognisable symbol of Pop Art. Curtis’ art takes a unique twist, elevating everyday foods and items into vibrant expressions of contemporary Aboriginal culture, akin to traditional food sources valued by Martu. Curtis explores his relationship with food as a powerful symbol of shared experience, nostalgia, and food sovereignty- particularly when considered within the context of a cost-of-living crisis, which is felt particularly acutely in remote Aboriginal communities.

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Jiirda (Increasing Site )

This is a special site for our people. A ceremonial place that has been passed down to us from elder to elder. It is a place where people ask for bush tucker in their country. For this to work, we rub the white chalk from Jiirda on our hands then scatter it back onto the Jiirda Hill and say where we want the plants to grow.

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Pilbara Hills

In our country we have many hills of all different shapes and sizes. When driving through country at different times the colours change and some of the hills look like velvet in the evening and morning light.

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Kidney Pie

In these reproduction prints of original paintings, Curtis Taylor subverts the concept of ‘Bush Tucker’, in depicting staple pantry items of the Martu diet, alongside familiar Australian food products. In his imagery, Curtis draws inspiration from the iconic Campbell’s Soup prints by Andy Warhol, which have become a recognisable symbol of Pop Art. Curtis’ art takes a unique twist, elevating everyday foods and items into vibrant expressions of contemporary Aboriginal culture, akin to traditional food sources valued by Martu. Curtis explores his relationship with food as a powerful symbol of shared experience, nostalgia, and food sovereignty- particularly when considered within the context of a cost-of-living crisis, which is felt particularly acutely in remote Aboriginal communities.