Wildflowers Blooming
When the wildflowers came out, it would mean there would be fruit coming soon from the plants in different seasons.
Bana Yirriji Art Centre represents artists from the Yalanji, Nyungkul and Jalunji clan groups.
Bama (local people) have had a long history of artistic expression, including ceremonial body painting, weavings made from local plants, rainforest shields and weaponry decorated with clan designs using earth pigments.
Today, artists create stunning contemporary arts and crafts; including paintings, prints, works on paper, textiles, weavings, artefacts and a range of merchandise. Artists draw on their rich cultural, historic, and contemporary stories and profound connection to country as inspiration.
These clapsticks have been hand painted and represents the artists country and culture through designs and mark making.
Each pair is unique.
Bana Yirriji Art Centre represents artists from the Yalanji, Nyungkul and Jalunji clan groups.
Bama (local people) have had a long history of artistic expression, including ceremonial body painting, weavings made from local plants, rainforest shields and weaponry decorated with clan designs using earth pigments.
Today, artists create stunning contemporary arts and crafts; including paintings, prints, works on paper, textiles, weavings, artefacts and a range of merchandise. Artists draw on their rich cultural, historic, and contemporary stories and profound connection to country as inspiration.
These clapsticks have been hand painted and represents the artists country and culture through designs and mark making.
Each pair is unique.
Bana Yirriji Art Centre represents artists from the Yalanji, Nyungkul and Jalunji clan groups.
Bama (local people) have had a long history of artistic expression, including ceremonial body painting, weavings made from local plants, rainforest shields and weaponry decorated with clan designs using earth pigments.
Today, artists create stunning contemporary arts and crafts; including paintings, prints, works on paper, textiles, weavings, artefacts and a range of merchandise. Artists draw on their rich cultural, historic, and contemporary stories and profound connection to country as inspiration.
These clapsticks have been hand painted and represents the artists country and culture through designs and mark making.
Each pair is unique.
Our bubu (country) is like a storybook. Baral (tracks) tell you what animal is travelling around. Some of the tracks we see are from the kurriyala (snake), walkarr (lizard) and kadar (wallaby). We can track the animals we hunt by following their tracks. The waybala (whitefella) has bought new tracks into our country, shoes and mudaka (motorcar) and plenty of bulki (cattle).
I’m painting the bird and animal tracks you find on the beach. You can see them going this way and that way. Everywhere!
Coil basketry is a well-established fibre art form in the Maningrida region, especially for women from the Kuninjku, Rembarrnga, Ndjebbana and Nakkara language groups.
Artists make coiled baskets of many shapes and sizes, ranging from small round baskets to large oval baby baskets, and made mostly from pandanus fibre that is dyed with natural pigments. Bundles of fibre are formed into coils which are covered and stitched together with strands of fibre threaded onto a needle. Artists combine colours and patterns to obtain intricate new graphic patterns.
These techniques are believed to have been introduced to Arnhem Land by Greta Matthews, a missionary on Goulburn Island in the 1920s. She had probably learnt coil basketry from Aboriginal people in the south-east of Australia, possibly the Murray River people such as the Yorta Yorta or the coastal Ngarrindjeri.
The coiling technique spread quickly from Goulburn Island to people on mainland Arnhem Land.
Burlupurr, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine ‘Malasia scandens’, a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect any kind of large numbers of heavy foods such as fish caught in conical fish traps or large collections of yams.
They can also be made from Pandanus spiralis, a plant which grows in many areas of Arnhem Land. These dilly bags are a tightly woven collecting basket, very finely made. These dilly bags are often used to collect sugarbag, the native honey
As well as being of practical use, dilly bags are also of religious significance to Arnhem Land people. Dilly bags are said to be totemic objects and associated with particular sites in the landscape.
Burlupurr, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine ‘Malasia scandens’, a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect any kind of large numbers of heavy foods such as fish caught in conical fish traps or large collections of yams.
They can also be made from Pandanus spiralis, a plant which grows in many areas of Arnhem Land. These dilly bags are a tightly woven collecting basket, very finely made. These dilly bags are often used to collect sugarbag, the native honey
As well as being of practical use, dilly bags are also of religious significance to Arnhem Land people. Dilly bags are said to be totemic objects and associated with particular sites in the landscape.