The women of Maningrida and surrounding homelands use a combination of locally found seeds, bone and shells to make a variety of jewellery including necklaces. earrings and bracelets. Many of the artists use complex patterns and designs to make their beautiful creations.
This design features lost of flowers and bush food from around the coastal areas of Entrance Island and Maningrida.
‘There are the leaves of the black plum – we call that karranganjónganja vita glabrata. There are also jungle flowers that we find when we are looking for yam, I don’t know what they call them but that’s the curly one. The small one in the middle is the flowers of the warakkála (flowers of the long yam). These flowers grow all over this region, you can find them when you walk around the bush. Marilyn James
This design features lost of flowers and bush food from around the coastal areas of Entrance Island and Maningrida.
‘There are the leaves of the black plum – we call that karranganjónganja vita glabrata. There are also jungle flowers that we find when we are looking for yam, I don’t know what they call them but that’s the curly one. The small one in the middle is the flowers of the warakkála (flowers of the long yam). These flowers grow all over this region, you can find them when you walk around the bush. Marilyn James
‘This is my new lino design, a long time ago when people passed away they used to put bones inside the lorrkon (hollow funeral log). This is an old history story. There is string and feathers on the side, that’s kunyarl. They put parrot feathers on the djerrh (dilly bag).
When I design lino, I think back to stories from when I was a little girl when I was staying at Barrihdjowkkeng next to Mumeka, with my mother and my father when he was still alive. I remember my dad used to make mimih, carrying all the wood. I used to help him when I was a little girl.’
Raylene Bonson
The women of Maningrida and surrounding homelands use a combination of locally found seeds, bone and shells to make a variety of jewellery including necklaces. earrings and bracelets. Many of the artists use complex patterns and designs to make their beautiful creations.
‘This is my new lino design, a long time ago when people passed away they used to put bones inside the lorrkon (hollow funeral log). This is an old history story. There is string and feathers on the side, that’s kunyarl. They put parrot feathers on the djerrh (dilly bag).
When I design lino, I think back to stories from when I was a little girl when I was staying at Barrihdjowkkeng next to Mumeka, with my mother and my father when he was still alive. I remember my dad used to make mimih, carrying all the wood. I used to help him when I was a little girl.’
Raylene Bonson
My painting represents the waterlily that live and grow around my bubu (country). I love going out bush and am enjoy looking at the wetlands which gives me inspiration for my artwork.
I am a Nyungul woman. My art depicts cultural, historic and contemporary stories from my Country, the Helensvale and Shipton’s Flat area in Far North Queensland.
This artwork depicts the Ritjano. Ritjano is similar to a carrot, and grows abundantly in North East Arnhem Land. The vegetable is a staple food in traditional Yolngu culture, and has been a reliable food source when other foods are scarce. The ladies will collect and roast the ritjano, which has a very sweet flavour.
This painting is about the story of the rock Mewal, that is the embodiment of the spirit man Mokuy who created the honey men/sugar bag tribe. In the story, Mokuy runs away from from a burning grass fire and to escape he turns into the special curved shape rock that is just outside Ramingining. In this painting people are singing and dancing to Mewal around a special tree. It is a ceremony day. People are also collecting Yams (Pitarro) a bush tucker vegetable that is black on the outside and white on the inside.
This is JB Fisher’s story from his country in the heritage listed Arafura Wetlands in North East Arnhem Land. He has inherited this story from his Father, and his Fathers Father, and this story goes back forever. As long as the Yolngu people have been here.
I am a Nyungul woman. My art depicts cultural, historical and contemporary stories from my bubu (Country) located in the Helensvale and Shipton’s Flat areas in Far North Queensland.
I wanted to paint one of the many lagoons from my Country. A kunjuri (shield) shape represents the lagoon and I have then painted my water lilies floating in the water. This lagoon has lots of long-neck turtles. The spaces between the kababina represent the turtles pushing aside the plants and making corridors as they swim through the water.
There are many species of kababina (water lilies) that grow in the lagoons and wetlands on my bubu (Country). There are lots of different colours, big and small ones.
My father told me that in the old days bama (people) would harvest the water lilies for food. I love going out bush with my family and enjoy looking at the wetlands, plants and animals.
Nature is the inspiration for my artwork. Anne Nunn