This painting represents the Moira & Greens Lake – the kidneys of the river. The two turtles represent the lakes and Yorta Yorta tribe. The snake represents the Murray River and Baiamee the creator. The black pattern is a traditional Yorta Yorta symbol and pattern. The dots represent the journey of the water being cleaned.
This painting represents the old waterholes on Yorta Yorta land that were destroyed after colonisation. The green pattern is the waterholes and Murray River water. The white dots represent the land and Country
This painting represents catching crayfish and cray season. We catch them in the clay banks and in nets. Crayfish are good sources of protein and taste beautiful
This painting represents fishing the Murray River for yella belly perch called Danela in Yorta Yorta language. The Raak represents the river patterns ONE male yella belly and 3 children.
Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).
The Yolngu people of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangarr (Creative Beings) long ago close to the beginning of time.
The creator beings moved across the country side, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These Creative Spirits took many forms. When they gave the land to each group they also gave songs, dances, ceremony, the associated laws and language. The Creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land.
In this painting, the artist has depicted Gumang (magpie geese), which are sacred to the Ganalbingu people. To the east of the Arafura Swamp is a freshwater billabong which is said to have been made by the Goose Spirit and is in the shape of a goose nest. As a result, geese, their eggs and their nests are sacred.
Ngalng (fresh water yabby)
‘This is a story from Mankorlod. This is a djang story. This is the creation story about the fresh water yabby. Starting with the stone, that’s the raw one and the cooked one. The stone rock suddenly turned to ngalng, in a flash. Ngalng started growing and turned into a body. It’s a magic one and it can change from rock to ngalng to human and back to ngalng. Now it’s a ngalng.
The country is near Mankorlod and Korlobididah. The ngalng is stuck there forever on the rock at Korlobididah,’
‘There is also duruk (camp dog) called ‘Djanbokkon’. This is a duruk that comes from water and no one has seen it. This is a true duruk, he goes everywhere in the country. His body is striped. He is a secret dog and he has a secret story.’
Janet Marawarr 2022
This artwork was purchased by the art centre as part of an ANKA Safe Cultures Strong Future Grant in 2020
Mankotbe (bush onion) grows under the ground, we follow the vine to dig it up. It is brown on the outside and white inside and we cook it on the fire, just like a potato. All the old people used to eat Mankotbe on my homeland. My grandmother showed me how to find that plant and the first time I ate so much my mouth got sore! You can’t be too greedy.
This design brings back good memories for me. I used to eat Mankotbe when I was young and living at my homeland Buluhkaduru. In those old times, my house was made of paper bark and sticks. If we wanted to come into town we had to walk, and it’s a long walk, so we would fill our dilly bags with sugar bag honey, Mankotbe and long yams to eat on the way. They were good times for me.
You can find Mankotbe any time of the year- the plant has big black leaves. When you find one onion, you know there is big mob around- they are always connected by a big long vine underground
Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.
Nowadays, artists weave many different shapes including flat, round and oblong.
Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item.
Nowadays, artists weave many different shapes including flat, round and oblong.