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Burlupurr – large dillybag

Burlupurr, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine ‘Malasia scandens’, a strong pliable plant which grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect any kind of large numbers of heavy foods such as fish caught in conical fish traps or large collections of yams.

They can also be made from Pandanus spiralis, a plant which grows in many areas of Arnhem Land. These dilly bags are a tightly woven collecting basket, very finely made. These dilly bags are often used to collect sugarbag, the native honey 

As well as being of practical use, dilly bags are also of religious significance to Arnhem Land people. Dilly bags are said to be totemic objects and associated with particular sites in the landscape.

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Bush String Bag

String bags can vary greatly. Artists commonly use a mix of naturally dyed and undyed fibre to create a striking variation of coloured bands. Some artists also incorporate different types of looping to produce different patterns and textured finishes. Each type of fibre bag, mat, basket and dilly bag has its own name in the various languages spoken in the Maningrida region.

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Sea Shells and Dilly Bags

‘Sometimes when we go down to the beach in Maningrida we pick all these shells up. Some family make necklaces and earrings. In the olden days they used to collect shells and put them in the dilly bags. The old people used to carry dilly bags when they went hunting. They used the dilly bag for bush food. My design shows mud muscle and long bum and cockles.’ Belinda Kernan 2022

Belinda’s mother is from Eastern Arrernte country near Alice Springs, the community of Ltyentye Apurte (Santa Teresa), and her father’s country is Maningrida. Belinda speaks languages from both sides of her family, as well as various languages belonging to Central Arnhem Land. She lives in Maningrida and prints lino at the women centre. Belinda is also a strong leader for young people in her community.

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Yawkyawk (young woman spirit) and Rolk (maggot)

‘Yawkyawk swim underneath the rock. They always stay there. When the sun comes out they come out from underneath the river, make themselves warm. They sit and they look around. When they sit, they cry to themselves. Ngaldjorlhbo (mother of everything) she created them – yawkyawk and the other one [Ngalng].

The Mimih one is a long way from the stone country. He is from my uncles country Bardijokhang. My uncle is the famous artist Crusoe Kurddal and he carves and paints Mimih.  

Sometimes yawkyawk sit inside the rock. Sometimes they go out to find the food manme and the mankung (sugarbag). Also they can sing inside the rock cave. Sometimes yawkyawk will see the big rain. When the big rain comes they start looking and when the rain comes they go inside and hide themselves.

Some yawkyawk stay on the dry land in a special place inland from Bardijolhwang.

Some of the stones get stuck on the breasts of the yawkyawk.

There are two yawkyawk in this artwork. One, the wet season yawkyawk has a round face and long hair. The dry season yawkyawk has short hair. There are lots of different yawkyawk in the water.

In my fabric they are all coming together with the grass trees and leaves and the blowing wind. Some of the leaves will fall onto the water. All the round shapes are kunred (rocky country) with dry grass.

This country is called Gamadery (sp), which is located near Mankorlod and Korlobididah, Arnhem Land.’ 

Janet Marawarr 2022

Created with printing support from her granddaughter Lamecha Namundja 2024,.

 

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Wayuk

‘I always follow the footpath of my grandmother. I have too many stories of my grandmother. We went to the bush and ate bushtucker like yam, yabbie, barra, catfish and magpie goose. We didn’t come into town often, we were staying at Barrihdjowkkeng outstation. I learned how the old people used to live. I always think about my family out there and I keep going. My grandmother asked me to work with her for many years. I watched her making lino and screen printing. That’s why I stay in this job and I’m for the women’s centre’.  Roseanna Bonson 2021

Roseanna’s first design is a 2 colour waterlily design. Wayuk (waterlily) *kuninjki grow in the swamps around Barrihdjowkkeng.

‘The flowers of the waterlily are white and yellow and I like that kind of colour.’ Roseanna Bonson 2021

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Wayuk

‘I always follow the footpath of my grandmother. I have too many stories of my grandmother. We went to the bush and ate bushtucker like yam, yabbie, barra, catfish and magpie goose. We didn’t come into town often, we were staying at Barrihdjowkkeng outstation. I learned how the old people used to live. I always think about my family out there and I keep going. My grandmother asked me to work with her for many years. I watched her making lino and screen printing. That’s why I stay in this job and I’m for the women’s centre’.  Roseanna Bonson 2021

Roseanna’s first design is a 2 colour waterlily design. Wayuk (waterlily) *kuninjki grow in the swamps around Barrihdjowkkeng.

‘The flowers of the waterlily are white and yellow and I like that kind of colour.’ Roseanna Bonson 2021

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Ginga (crocodile)

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.