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Untitled

Mabel was born in the 1920s at Yirajarra, near Juntu Juntu [Well 30] on the Canning Stock Route. Her parents were both Warnman people, their country encompassing Tarl, Nyajarra and Juntu Juntu. Mabel grew up in the pujiman (desert dwelling) era until she, along with other family members decided to begin the long journey to Jigalong Mission, where many other desert families had already relocated. They walked through Karlamilyi (Rudall River) and Talawana.

 

Mabel, a prolific artist, paints her ngurra (home) and her warrarn (country) to teach the young so that they can learn to paint too. When Mabel first started painting she was living in Irrungadji Community in Nullagine with fellow Martumili Artists Lily Long and Amy French.

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Floating By

Jellyfish can be found in the waters throughout the Torres Strait Islands.

Art Centre notes: The artwork is a unique state print, or monotype, printed on BFK Rives paper (100% cotton rag with strong archival properties). The print covers the paper from edge to edge. Signed by the artist on the reverse.

Artist:Solomon Booth

Printer: Dian Darmansjah

Printed at Moa Arts October 2021

 

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Drifting

 Jellyfish can be found in the waters throughout the Torres Strait Islands.

Art Centre notes: The artwork is a unique state print, or monotype, printed on BFK Rives paper (100% cotton rag with strong archival properties). The print covers the paper from edge to edge. Signed by the artist on the reverse.

Artist:Solomon Booth

Printer: Dian Darmansjah

Printed at Moa Arts October 2021

 

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Drifting with the Tide

 Jellyfish can be found in the waters throughout the Torres Strait Islands.

Art Centre notes: The artwork is a unique state print, or monotype, printed on BFK Rives paper (100% cotton rag with strong archival properties). The print covers the paper from edge to edge. Signed by the artist on the reverse.

Artist:Solomon Booth

Printer: Dian Darmansjah

Printed at Northsite Print Studio, Cairns Oct 2023

 

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Jellyfish

Jellyfish can be found in the waters throughout the Torres Strait.

Art Centre notes: The artwork is a unique state print, or monotype, printed on BFK Rives paper (100% cotton rag with strong archival properties). The print covers the paper from edge to edge. Signed by the artist on the reverse.

Artist:Solomon Booth

Printer: Dian Darmansjah

Printed at Moa Arts

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Hand (ARN)

This print is about the hand (ARN ) in creole specklling looks kinda deadly in the water.

Art Centre notes: The artwork is a ‘pochoir’ print, or monoprint, printed on BFK Rives paper (100% cotton rag with strong archival properties). 

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Women in the Pearling Days

This artwork portrays women’s perspective of their duties, roles and responsibilities in the Pearling Days. Back in those days, the men worked hard labour on pearling lugger boats while the women stayed back on the island to maintain the house and look after the children. Sometimes the men were gone for four to six months at a time, out on the sea. Back then, they had no power, they had to use lamps and candles for light and they did their cooking on the outdoor fire. When the men went out to sea, the women made baskets, tended gardens, and gathered food from the land and sea. It was also the new era of Christianity, so every time the food was gathered, it was blessed, and the family went to church every Sunday. All the images that are used in this artwork display the beauty, and unique nature of this family orientated home environment. The flowers show the beauty of women and the island, the outdoor fire cooking shows the important role of the women in maintaining the house and caring for the children. The bible and cross symbolise going to church on Sundays, and as a reminder of a faith and belief in a God that took care of the men that were out at sea working. Encompassing and holding all these aspects of the Pearling Days is the basket. The basket illustrates the strength of the women who carried the load and took on the everyday life tasks and skills to care for their home and family.

 

Art Centre notes:  (black and white) lino print, printed on BFK Rives paper (100% cotton rag with strong archival properties).

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Silel Moving

My work depicts the silel. They are tiny pipi shells. We collect them from our loal beach and cook them up with chili and add to noodles.

Art Centre notes:

The artwork is a B/W) lino print, printed on BFK Rives paper (100% cotton rag with strong archival properties). 

 

 

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Theradhayaw Sabi (Traditional Adoption Lore) VII

Ceremonies and rituals play a central role in Torres Strait kinship. 
They mark important life events, such as birth, initiation, and death, and strengthen community bonds.
The Torres Strait kinship system assigns roles and responsibilities within the community. 
This includes obligations related to marriage, child-rearing, and land management.
 
 
Traditional adoption in the Torres Strait involves a cultural practice where individuals or families within the community formally take on the responsibility of caring for and raising a child who is not their biological offspring. 
This practice is deeply rooted in Torres Strait Islander culture and has been a way of strengthening family and community bonds. 
Traditional adoption is guided by cultural protocols and often involves ceremonies to mark the occasion. 
It’s important to note that this practice is specific to the Torres Strait region and differs from Western adoption systems.

 

Art Centre notes: The artwork is a unique state print, or monotype, printed on BFK Rives paper (100% cotton rag with strong archival properties).  The print covers the paper from edge to edge. Signed by the artist on the reverse. 

Artist: David Bosun

Printer: Dian Darmansjah

Printed at Northsite Print Studio, Cairns Oct 2023

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Mindfulness XII

Modern times has shown that plastic bags are detrimental to the environment and may often be mistaken for jellyfish, which are a food source for marine predators such as the Waru (Green-Sea Turtle). The Waru can be found throughout the waters of Zenadh Kes (Torres Strait Islands) and has been a part of our peoples diet for thousands of years and it is important why we should look after our environment, for the sustainability of our people and our future generations. This artwork also serves as an analogy for us to be mindful of what we consume both physically and mentally but importantly in a spiritual state if we are to live a fruitful and productive life.

Art Centre notes: Image size: 120 x 80cm. The artwork is a ‘pochoir’ print, or monoprint, printed on BFK Rives paper (100% cotton rag with strong archival properties). The print covers the paper from edge to edge.

Printer – Solomon Booth

Print Assistant – Dian Darmansjah