May 2024

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Woven Mat

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Woven Mat

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Woven Basket

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Woven Basket

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Woven Basket

Fibre Art is an ancient Aboriginal women’s craft that is still made today using the same techniques as their ancestors. Making fibre art is labour intensive and much care and fine needlework is required to ensure the finished object is both functional and beautiful. Fibre art from the Ghunmarn Culture Centre includes dilly bags, floor mats, bush fans, woven creatures found in the landscape, plants such as yams (bush potato), baskets, place mats, and spirit figures such as mermaids and Mukuy’s.Natural pandanus fibre (Mukarra), is used to make much of the fibre art produced by the artists of Djilpin Arts. Women collect the pandaus by pulling from the top of the pandanus tree, then stripping and drying the leaves before they are dyed with natural bush colour collected from the Beswick surrounds.

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Gum nuts

Bernadette’s painted logs are often offcuts from mako or didjeridu manufacture. Rather than wasting the pieces or relegating them to the fire, Bernadette collects these, sands them smooth and then experiments with different painting techniques.

Painted using a combination of brushes; handmade traditional Jarlk grass reed brush harvested from local billabongs and wet areas, along with modern paintbrushes. Bernadette sometimes paints using a stippling effect (modern paintbrush), a modern panting style (fish using a modern brush for example), raark (fine line work using a jarlk brush), or dots (using the end of a jarlk brush).

 

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Gumnuts

Bernadette’s painted logs are often offcuts from mako or didjeridu manufacture. Rather than wasting the pieces or relegating them to the fire, Bernadette collects these, sands them smooth and then experiments with different painting techniques.

Painted using a combination of brushes; handmade traditional Jarlk grass reed brush harvested from local billabongs and wet areas, along with modern paintbrushes. Bernadette sometimes paints using a stippling effect (modern paintbrush), a modern panting style (fish using a modern brush for example), raark (fine line work using a jarlk brush), or dots (using the end of a jarlk brush).

Painted entirely using modern acrylic paints.

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Gumnuts

Bernadette’s painted logs are often offcuts from mako or didjeridu manufacture. Rather than wasting the pieces or relegating them to the fire, Bernadette collects these, sands them smooth and then experiments with different painting techniques.

Painted using a combination of brushes; handmade traditional Jarlk grass reed brush harvested from local billabongs and wet areas, along with modern paintbrushes. Bernadette sometimes paints using a stippling effect (modern paintbrush), a modern panting style (fish using a modern brush for example), raark (fine line work using a jarlk brush), or dots (using the end of a jarlk brush).