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Lorrkon

The Lorrkon is a hollow log coffin used by the people of Arnhem Land, Australia. It consists of a tree trunk hollowed out by termites and painted by a clan member of the deceased, with the bones placed inside.

The Lorrkon ceremony is the final ceremony in a sequence of mortuary rituals celebrated by the people of Arnhem Land. 

The ceremony involves the placing of the deceased’s bones into a hollow log which is decorated with painted clan designs and ceremonially placed into the ground where it remains until it slowly decays over many years.

The hollow log is made from a termite hollowed Stringybark tree (Eucalyptus tetradonta) and is decorated with totemic emblems.

The western Arnhem Land version of the Lorrkon ceremony involves the singing of sacred songs to the accompaniment of karlikarli—a pair of sacred boomerangs used as rhythm instruments.

In the past, the final evening of the ceremony involved dancers decorating themselves with kapok down. Today cotton wool is more commonly used. Much of the final segments of the ceremony are conducted in the secrecy of a restricted mens’ camp. 

The complete ceremony may stretch over a period of two weeks, but on the last night the bones of the deceased, which have been kept in a bark container (or more recently wrapped in cloth and kept in a suitcase) are taken out, painted with red ochre and placed inside the hollow log. This ceremony may take place many years after the person has died.

At first light on the final morning of the Lorrkon ceremony, the men appear, coming out of their secret bush camp carrying the pole towards the womens’ camp. The two groups call to each other using distinct ceremonial calls. The women have prepared a hole in which to stand the pole and when it is upright, women in particular kinship relationships to the deceased, dance around the pole in a jumping/shuffling motion. The Lorrkon is then often covered with a tarpaulin and left to slowly decay.

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Mimi dancing

This painting depicts four Mimi spirits dancing. Also included are some bush tools such as two spears, a mako or didgeridoo, clap sticks and a dilly bag.

Painting has been completed using a handmade Jarlk brush harvested from local billabongs and wet areas. Raark or fine line work is in Yirritja style and consists of three or four lines before alternating colours.

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Kurranji (Cassowary)

He is a spiritual bird, untouched he roams the rainforest like the boss. His digestive system prepares the seeds. What he eats goes back into the soil and regenerates the land and composts the soil so more food grows. You must be very careful of them because they can attack. Never feed them. You must always be alert when walking in the rainforest.

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Kadanji (Black Cockatoo)

Kadanji (Black Cockatoo) is my mother’s mother’s totem from the Kuku Nyungkul clan. This totem is passed down generation after generation to your newborns.

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Kirbaji (Dugong)

In the past, Kirbaji (dugong) was an important food source. It was men’s business to hunt dugongs and it was their responsibility to cook and provide the meat to all the families. The meat of the dugong was cooked in an earth oven.

Our ancestors also made oil form the dugong fat. They used the oil for medicinal purposes. They used it for skin and hair treatments. When people had an upset stomach they used the oil as an ointment.