225182281021
Coolamon & Quandong
225182281020
Kakan (Black Palm) Dillybag.
Our ancestors used Kakan (Black Palm) dilly bags to carry food when out hunting and gathering or soak bitter yams in creeks before cooking them. They were also used to hold personal items.
When I was a young girl my grandmother would teach me how to make Black Palm dillybags. We used to set up camp with other Kuku Yalanji women at a creek near Helenvale. It is very hard work. The men would help us cutting down the palm trees and separate the crownshaft from the trunk and the leaves. Then the women used to peel away the outer leaves until they felt strong threads they could pull out. They cleaned these threads from pulp with a mussel shell. When we moved away from Helenvale I forgot how to make them. Luckily years later I asked a relative of mine, Wilma Walker, who is great weaver, if she could refresh my memories. From then on I kept making dillybags as long as my health allowed it. I really enjoyed making them.
225182281018
Birmba (White Cockatoo)
Birmba (White Cockatoo) is my family totem. It has been passed down from generation to generation.
White Cockatoos always remind me of my grandfather, my sisters and other family who have passed on. Th eyare like protective spirits for me, my family and my loved ones that have passed.They will give you signs: Good signs and signs of danger. They let you know when to move on.
When I’m out with my grandchildren, I say “Look, do you see that white cockatoo there? That’s your grandmother there, overlooking us”. I let them know that it is family watching over them , keeping them connected to each other and our country. When I’m alone, I know they’re around. I speak to their spirit and they give me strength.
225182281012
Salt Water Crocodile
225182281007
(LS): Rainforest Parrot
115682282759
Wagilag ga Wititj Dhawu (Wagilag Sisters and Olive Python Story)
The Wagilag Sisters are central to the four important ceremonies of the Dhuwa moiety; the Djungguwan, the Gunabibi, the Ngulmarrk, and the Mandaialla.
The story is primarily an account of how, in the distant past, the two Wagilag Sisters came out of the southern interior and across the countryside to the Liyagalawumirr waterhole at Mirarrmina. There the younger sister profaned the pool of Wititj (the great Olive Python) by accidently allowing her blood to fall into the waterhole. Because of this, the women (and their children) were swallowed by Wititj.
All of the other sacred snakes stood up with their heads in the clouds and talked to each other with voices like thunder. The Pythons discovered that they had different languages and ‘skins’. Wititj confessed to eating the two women; his own moiety and fell to earth making a big depression in the ground. The big wind blew across the land making the first dry season. Wititj was ordered by the snakes to vomit the women and children back up. When he did this he also vomited up all the water from the waterhole, creating the monsoonal rains.
221382282668
Yok
This yok, or bandicoot sculpture has been created from pandanus and stuffed with paperbark to keep its shape. Details such as ears and legs are crafted from beach hibiscus wood. The piece has then been finished in acrylic paints using modern paintbrushes.
225182284183
(VC): Kaddanji (Black Cockatoo)
The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.
I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.
So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.
225182284182
Kaddanji (Black Cockatoo)
The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.
I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.
So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.