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Baylau Waku Tharthoeyaypa (marriage from one clan to another) V4

This print depicts marriage from one clan to another. The images depicted in this prints representation when I married and leaving my family behind. The totems on the bottom are my totem of the wild yam, eagle to represent Dauan, and figures of family values and traditions taught. The images of the ladies carrying a stick in my language KKY dialect is called a daupai this is used to till the ground and plow ready to plant. We are taught about life skills of household duties when we reach age from cleaning to cooking and taking care of younger children that are in our family of our older siblings. These are life skills that are taught for later in life when we have our own family. The basket represents all the values and traditions that has been taught by my family and parents as I crossed over leaving my family behind. I remember on my wedding night, when my brother in-law gave a message of thank you to all that attended our wedding, he shared a story of what his Dad shared, my husbands big father who also grew up with, he said, “ your family, your parents have taught you everything, your “Papa and mum be uman you,” meaning of a basket woven carry all the values that have been taught to who I am today, the totems on the top depicts my husbands totems.

 

Art Centre notes:

Image size: 120 x 80 cm

Paper size: 120 x 80 cm

The artwork is monotype, printed on BFK Rives paper.

(100% cotton rag with strong archival properties). 

(The print covers the paper from edge to edge.)

359709482315259



Baylau Waku Tharthoeyaypa (marriage from one clan to another) V3

 

This print depicts marriage from one clan to another. The images depicted in this prints representation when I married and leaving my family behind. The totems on the bottom are my totem of the wild yam, eagle to represent Dauan, and figures of family values and traditions taught. The images of the ladies carrying a stick in my language KKY dialect is called a daupai this is used to till the ground and plow ready to plant. We are taught about life skills of household duties when we reach age from cleaning to cooking and taking care of younger children that are in our family of our older siblings. These are life skills that are taught for later in life when we have our own family. The basket represents all the values and traditions that has been taught by my family and parents as I crossed over leaving my family behind. I remember on my wedding night, when my brother in-law gave a message of thank you to all that attended our wedding, he shared a story of what his Dad shared, my husbands big father who also grew up with, he said, “ your family, your parents have taught you everything, your “Papa and mum be uman you,” meaning of a basket woven carry all the values that have been taught to who I am today, the totems on the top depicts my husbands totems.

Art Centre notes:

Image size: 120 x 80 cm

Paper size: 120 x 80 cm

The artwork is monotype, printed on BFK Rives paper.

(100% cotton rag with strong archival properties). 

(The print covers the paper from edge to edge.)

359709482315258



Baylau Waku Tharthoeyaypa (marriage from one clan to another) V2

This print depicts marriage from one clan to another. The images depicted in this prints representation when I married and leaving my family behind. The totems on the bottom are my totem of the wild yam, eagle to represent Dauan, and figures of family values and traditions taught. The images of the ladies carrying a stick in my language KKY dialect is called a daupai this is used to till the ground and plow ready to plant. We are taught about life skills of household duties when we reach age from cleaning to cooking and taking care of younger children that are in our family of our older siblings. These are life skills that are taught for later in life when we have our own family. The basket represents all the values and traditions that has been taught by my family and parents as I crossed over leaving my family behind. I remember on my wedding night, when my brother in-law gave a message of thank you to all that attended our wedding, he shared a story of what his Dad shared, my husbands big father who also grew up with, he said, “ your family, your parents have taught you everything, your “Papa and mum be uman you,” meaning of a basket woven carry all the values that have been taught to who I am today, the totems on the top depicts my husbands totems.

 

Art Centre notes:

Image size: 120 x 80 cm

Paper size: 120 x 80 cm

The artwork is monotype, printed on BFK Rives paper.

(100% cotton rag with strong archival properties). 

(The print covers the paper from edge to edge.)

359709482315257



Baylau Waku Tharthoeyaypa (marriage from one clan to another) V1

This print depicts marriage from one clan to another. The images depicted in this prints representation when I married and leaving my family behind. The totems on the bottom are my totem of the wild yam, eagle to represent Dauan, and figures of family values and traditions taught. The images of the ladies carrying a stick in my language KKY dialect is called a daupai this is used to till the ground and plow ready to plant. We are taught about life skills of household duties when we reach age from cleaning to cooking and taking care of younger children that are in our family of our older siblings. These are life skills that are taught for later in life when we have our own family. The basket represents all the values and traditions that has been taught by my family and parents as I crossed over leaving my family behind. I remember on my wedding night, when my brother in-law gave a message of thank you to all that attended our wedding, he shared a story of what his Dad shared, my husbands big father who also grew up with, he said, “ your family, your parents have taught you everything, your “Papa and mum be uman you,” meaning of a basket woven carry all the values that have been taught to who I am today, the totems on the top depicts my husbands totems.

 

Art Centre notes:

Image size: 120 x 80 cm

Paper size: 120 x 80 cm

The artwork is monotype, printed on BFK Rives paper.

(100% cotton rag with strong archival properties). 

(The print covers the paper from edge to edge.)

220982210114



My Grandmothers Country – Denise Ngwarraye Bonney

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories belong.

Denise paints ‘Tijamburra’, her Grandmothers country.

“This is my Mothers Mothers country, out near Canteen Creek, we go hunting  for wild onions, goannas, echidnas and sugar bag honey in the trees. I like to hunt in my country, there is water all year round even if it look dry, we follow the bird tracks to know where to dig and then we find water.


This painting is after rain, many grasses are out, but the riverbed is still sandy.”


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Bush Flowers

The artists of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.

These bush flowers grow seasonly in Alyawarr country, some of which are also used in bush medicine remedies.

“When I go out hunting, I like to see all the bush flowers that are flowering and then when I come back, I paint them.”

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Antarrengeny – Edie Kemarre Holmes

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit. Antarrengeny is Edie’s country and also her Father’s.

In this painting Edie depicts Antarrengeny, “when there has been no rain and the land shimmers like jewels. It is the open flat country, after a bushfire, when only the young grasses and the trees are growing and where there is good hunting.”

Edie has a strong connection to Antarrengeny. She gave birth to two of her daughters ‘out bush’ on this land. It is her country and she loves it dearly.

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My Mother’s Country – Beverly Pula Luck

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.

Beverly has painted her Mother’s country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.

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My Country is Irrultja – Kindy Kemarre Ross

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories belong. 

“My country is called Irrultja, it’s past the hill and the dried-up creek from here, it’s a nice place, my dad’s country too, and my Mum’s country is here in Ampilatwatja. When I go to see my country, we always go to gather bush medicine, we always climb up the hill that’s in the south, we always go there. We like to look out over the land and there are lots of flowers and bush medicine up there. I love my countryside; I see the nice flowers and gather bush medicine for me and my family. I like to paint a mix of wildflowers and bush medicines in all my paintings because it reminds me of my favourite part of my country and when it rains the flowers come out. Yeah, my countryside.”

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My Country and Bush Medicine Plants – Julieanne Ngwarraye Morton

“My Mother, Lilly Kemarre, taught me to paint. She likes to paint her Mother’s and Father’s country from the old days, when they used to live off of the land.”

Julieanne’s painting’s are inspired by her Mother’s stories of the old days, walking and living on their land, and also of her own experience of life out here in Alyawarr country.

“The landscape changes during the different seasons in the year. I paint the dried flowers and bushes from last season as well as the new plants that come after the rain. These plants have special meanings and uses for us. I have been taught how to read the country, and now I teach my children these skills.”