October 2024

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View Of Country

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.

This painting shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

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View of Country – Alec Pula Lewis

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.

 

Alec was born at McDonald Downs Station.  He grew up there with his family living traditionally on the land.  Alec did not attend school, he moved between different communities with his family. 

 

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

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My Fathers Country – Kathleen Nanima Rambler

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.

I paint the country of my Father and Mother and where they grew up, near Barrow Creek.

“This is the painting of my Father’s country, where I grew up. When we would go hunting, we always climbed those hills. We would take the kids hunting too and take photos of the hills.”

I use bright colours and beautiful attention to detail expresses the love and joy that I have for the country closest to my heart.

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My Mothers Country – Eileen Bonney

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.

Eileen has painted ‘Tijamburra’, her mothers country.

“This is my mothers country, we go hunting there for wild onions, goannas, echidnas and sugarbag honey in the trees. I like to hunt there, there’s water all year round. Even if it doesn’t look like there is, we follow the bird tracks to know where to dig and we find water.”

From living here in the remote community of Ampilatwatja, going hunting out bush and traveling for family and ceremonies Eileen knows this land, her country.

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My Grandmothers Country – Denise Ngwarraye Bonney

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories belong.

Denise paints ‘Tijamburra’, her Grandmothers country.

“This is my Mothers Mothers country, out near Canteen Creek, we go hunting  for wild onions, goannas, echidnas and sugar bag honey in the trees. I like to hunt in my country, there is water all year round even if it look dry, we follow the bird tracks to know where to dig and then we find water.

This painting is after rain, many grasses are out, but the riverbed is still sandy.”

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View Of Country

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.

This painting shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

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My Father’s Country – Rita Pitjara Beasley

“This is my Father’s country.

This place is our hunting place. I always go with my daughters and their children, I show them this place and teach them about the swampy country. We hunt for goannas, bush potato, bush tomato and after the big rain the bush medicine is picked and the roots are dug up to be used.

It is important as my mother taught me this and now I teach my family.”

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories belong.

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Bush Flowers – Nancy Pitjara Frank

I was born in the bush at Ammaroo Station, along the Sandover.  I have never seen the ocean or a big city. My mother and father were strong healthy people who taught me and my younger sister Rita the traditional way to hunt for Kangaroo, Goanna and Porcupine.  We know how to gather bush tucker (secrets of the earth) and bush medicine plants.  My mother used grinding stones to make seed damper.

When I paint I think about good memories, being a young girl and walking through the land.  My mother made paint from two stones and showed us ceremony painting and how to sing and dance for ceremonies.  I still sing and dance and collect the bush medicines, I like to make tea from the small purple flowers of Arreth (hill fuchsia).

Painting bush medicine stories is important because it helps to maintain a strong knowledge and culture for the community.

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Great Grandmothers Country – Gunderson Kemarre Lewis

I paint my Great Grandmothers country around Canteen Creek.  Long time ago she hunted around this soakage in this country.   When I paint, I paint that country, the soakage the bushflowers the sandhills and the distant mountains.  I hunt this country now.