November 2024

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My Father’s Country and Bush Medicine – Rosie Kemarre Morton

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories sit.
Rosie has painted her Father’s country, where she can always find bush tucker and bush medicine. She is very happy when out bush hunting and gathering, as it brings back memories of her childhood when she used to live traditionally off of the land with her family.
Rosie uses these hunting trips as her inspiration for her artworks, each one reflecting the layered landscape and various colours as she has seen them. “They are always changing, with the light of day and the seasons of the year
Rosie enjoys and understands the importance of painting bush medicine plants. They help in the healing of her people and it keeps the tradition and knowledge strong. These particular plants are very plentiful after rain and can be used for numerous conditions, such as skin irritations, flu, coughs and infections.
Rosie’s dreaming is the “Araluta” or kangaroo plant. This bush is a rich source of food for the kangaroos and keeps them fat and healthy and good for hunting.

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View Of Country

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.

This painting shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

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My Grandmothers Country – Denise Ngwarraye Bonney

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories. The artists paint their country where those stories belong.

Denise paints ‘Tijamburra’, her Grandmothers country.

“This is my Mothers Mothers country, out near Canteen Creek, we go hunting  for wild onions, goannas, echidnas and sugar bag honey in the trees. I like to hunt in my country, there is water all year round even if it look dry, we follow the bird tracks to know where to dig and then we find water.


This painting is after rain, many grasses are out, but the riverbed is still sandy.”


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Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

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Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

By , ago

377815582337763

Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

By , ago

377815582337762

Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

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