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Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

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Jarruka Bulka (Scrubfowl Nest)

Jarruka Bulka (Scrubfowl Nest) and the Diwan Bulka (Brush Turkey Nest) is essential to the survival of our hunting and gathering practices, as the women and girls collect the eggs from these nests, every season.The Jarruka Bulka is more sought after and is the larger of these nests.

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Kurriyala (Carpet Snake)

The carpet snake used to be an important food animal for our ancestors. They wrapped the meat in native ginger leaves and cooked it on the hot coals of the ground oven. They also used the skin to make head bands or skillfully sewed blankets to keep the families warm and dry at night.

The carpet snake also has spiritual significance for me.  I inherited the carpet snake Totem and related cultural knowledge from my father’s side. According to our Kuku Yalanji creation stories, the carpet snake was an Ancestral Being that travelled in its human form across the country creating waterways wherever it went, including on my father’s clan lands.

In my upbringing I was taught to respect our elders who prepared me for my future role as carrier of cultural knowledge and spiritual traditions. I was also taught the values of taking responsibility for caring for our traditional clan country and help maintain it for the younger generations so they can become strong leaders.

Art is my way of keeping the cultural knowledge of my ancestors alive and passing it down to my children and grandchildren. Sharing this body of knowledge creates strong family ties and gives me my strength.

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Walkarr (Bush Goanna)

Walkar (Bush Goanna) is found in eastern and western Yalanji land both in rainforest country and inland plains. Walkarr was an important food source to our Kuku Yalanji ancestors. Goannas are great tree climbers and sometimes hard to catch.
Walkarr was hunted with spears and brought back to prepare and cook in earth ovens or over a fire. Once it was cooked it was laid on paperbark and a mussel shell was used to scrape the outside of the skin and to cut up the meat to share. The oil from the Walkarr was also used as a liniment and to make cooking oil.

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Yindili (Kingfisher)

The Kingfisher, known as Yindili in Kuku Yalanji language, is according to our culture one of the significant messenger birds.  The Kingfisher will let us know when to expect a visit from families living in another community, And when we see a Kingfisher close by, we know that something good will soon happen in our personal life.

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Janbal (Quandong)

Janbal (Quandong) is good bush tucker. We gather the fruit from August to January when they are sweet and soft. The kernel of the fruit is very pretty and we often use it to make body adornments such as necklaces and earrings.

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Yinjul (Rainforest Parrot)

The rainforest parrot is a very important totem (spirit being) for all Kuku Yalanji clan groups. Cultural knowledge of this spirit being has been passed down from generation to generation. The rainforest parrot cannot be touched or hunted for food. They have to be left alone. They are special birds that have a sacred meaning for us.