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Kulyakartu

This painting is about all the rocks and kurru (creeks) all around Kulyakartu and Kirriwirri.

We went camping there for to two weeks, we went to Wirnpa first and then to Kirriwirri. We camped in the nice flat ground in the open when we got to Kulyakartu.

This is the artists Grand Fathers country.

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Untitled

 This artwork showcases the artist’s skillful use of colour, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the original five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. Over time, the community and Art Centre has grown to include people from other Kimberley tribes, fostering a space where diverse cultural knowledge and practices come together. Situated where the desert meets the sea, artists draw inspiration from their ancestral Country and personal journeys. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

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Claypans, Spinifex and Wika (fire) edward

This paining is about the claypans, spinifex and waru (fire) in the dry season time, when spinifex, the native plants and the country gets dry. Its about how to burn the country the right way, not the wrong way. Like old people they used to burn the county right way, so we learn from them and keep country good for us and all the animals comes out of the bush. When the rain comes it makes the country green again. Some animals love dry season for hunting. Some times we go hunting for animals for our families

 With the Paru (spinifex) we pull out the whole plant, roots and all and then we twist it around to make a flat basket (Jitatu) like a donut ring. Then this sits on the head and you can carry water for example. The water is in a Kapara like a shallow bowl which you make from the hard wood of a tree like Parntal (Owenia Reticulata)

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Woven Mat

Traditionally, Nganiyal (conical mats) were used as an insect screen when erected, and as a sitting mat when folded. They are used in Ceremony as well as a functional item. 

Nowadays, artists weave many different shapes including flat, round and oblong. 

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Pilbara Wildflowers in Full Bloom

These are the Pilbara wildflowers that grow on the ground. They have beautiful colours blending into the Country during flower season.

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Joy & Friendship

Friendships enrich our lives, offering joy, support and a sense of belonging.

 

Art Centre notes:

Paper size: 53 x 39cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Helen-Joy Tomsana

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025

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Tranquility & Peace

A peaceful and calm state without no worries at all.

 

Art Centre notes:

Paper size: 53 x 39cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Helen-Joy Tomsana

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025