Status: Stock
This design by Alice Nampitjinpa Dixon depicts the trees in Alice’s country, Talaalpi. Her country is situated close to Kintore on the Western Australian border. She grew up there and moved to Haasts Bluff later in life.
Status: Stock
This design by Eunice Napanangka Jack depicts her father’s Tjukurrpa (Dreaming). It shows the country at Kuruyultu, near Tjukurrla in Western Australia.
Eunice Napanangka Jack says about the artwork:
‘This is my country. I can’t remember how it all happened, because it happened before I was born. I have a scar on my back from it. My grandfather speared a wallaby at Kuruyultu. That night he ate that wallaby. At the same time my mother could feel me moving inside her. She was heavily pregnant with me. That next morning, after my grandfather had speared the wallaby, killed it and eaten it, I was born. I was born at Kuruyultu, near the rockhole there. I can’t remember my grandfather or my grandmother. I was still a little baby. We left that place, Kuruyultu. My father, my mother, my big sister and my father’s brother, we all left together and went to Haasts Bluff. I grew up in Haasts Bluff. I have been back to Kuruyultu for visits but I never lived there again in my country. I think about it every day. Only my father knows all the stories for that country and he painted them too… all the men’s stories. I know the story of the wallaby mother and daughter which left me with a birthmark. That’s what I paint: the wallaby mother and daughter.’
Status: Stock
This design by Eunice Napanangka Jack depicts her father’s Tjukurrpa (Dreaming). It shows the country at Kuruyultu, near Tjukurrla in Western Australia.
Eunice Napanangka Jack says about the artwork:
‘This is my country. I can’t remember how it all happened, because it happened before I was born. I have a scar on my back from it. My grandfather speared a wallaby at Kuruyultu. That night he ate that wallaby. At the same time my mother could feel me moving inside her. She was heavily pregnant with me. That next morning, after my grandfather had speared the wallaby, killed it and eaten it, I was born. I was born at Kuruyultu, near the rockhole there. I can’t remember my grandfather or my grandmother. I was still a little baby. We left that place, Kuruyultu. My father, my mother, my big sister and my father’s brother, we all left together and went to Haasts Bluff. I grew up in Haasts Bluff. I have been back to Kuruyultu for visits but I never lived there again in my country. I think about it every day. Only my father knows all the stories for that country and he painted them too… all the men’s stories. I know the story of the wallaby mother and daughter which left me with a birthmark. That’s what I paint: the wallaby mother and daughter.’
Status: Stock
This design by Alice Nampitjinpa Dixon depicts the trees in Alice’s country, Talaalpi. Her country is situated close to Kintore on the Western Australian border. She grew up there and moved to Haasts Bluff later in life.
Status: Stock
Status: Stock
Mitjili paints her fathers Tjukurrpa, the ceremonial spear straightening in Uwalkari country (Gibson desert region). The Watiya Tjuta (Acacia Trees) are the trees that are used to make these spears. Uwalkari country is abundant with Watiya Tjuta, as well as sand hills and other plants. Mitjili paints the motif of the Watiya Tjuta, carrying on the recurring motif as her mother used to draw in the sand. Her mother passed on this Dreaming to her.
Napurrula’s father, Tupa Tjakamarra gave her the right to paint works related to Ilyingaungau in the Gibson Desert. This site, south of Walungurru (Kintore), some 520 kilometres west of Mparntwe (Alice Springs), is where the artist’s Mutikatjirri ancestors assembled their kulata (spears) for a conflict with the Tjukula men. Allusive works that refer to the straightening of kulata by Tjupurrula are among the landmark paintings of the Ikuntji Artists movement’s 30-year history. The paintings of Napurrula and her husband, Long Tom Tjapanangka, have come to be understood as archetypical of Ikuntji art since they began to work with the arts centre in 1993. Napurrula remembers, ‘ … After I got married, my mother taught me my father’s Tjukurrpa in the sand, that’s what I’m painting on the canvas’. The white pigment eddies around abstract forms that refer to the spearwood trees. The tightly structured patterning of the key motifs and bold use of colour demonstrates the artist’s confidence in her individual artistic vision within a family of superlative artists – and the cultural heritage that continues to inform the myriad expressions of Western Desert artists.
Status: Stock
This is the story of Tjilkamala – the porcupine man. He is travelling around Talaalpi, west of Kintore and is looking for ants. He digs for them in the ground and creates holes. Meanwhile tracking behind him are women out hunting, hoping to make the porcupine their tucker for the evening. These holes fill with water after the rain and with the morning dew. Over many years they have become rockholes.
This work is the story of Alice’s personal Tjukurrpa (Dreaming) – the Porcupine. The setting is the rockholes in and around the swamp of Talaalpi in Western Australia.
Status: Stock
This funky piece of wearable art is part of our collaboration with Publisher Textiles. Each shirt is hand screen-printed and made in Sydney, Australia!
Timeless and stylish, just like its name sake Audrey Hepburn. This simple box cut top features short sleeves, a flattering rounded neck, and a long waistline.
This versatile top transitions from the office into the evening, perfect paired with a fitted pencil skirt or classic black trousers.
Featuring design by artist Rosearanna Larry:
This design by Roseranna Larry shows the ‘Wirliyajarrayi Story’.
This story was passed down to the artist from Old Lady Napaltjarri Morton.
The painting shows the story of Janyanpartinya creek (Mount Campbell). The kingki/tjanpa and milarrpa watinki/ukurrukurru tjuta (boogey men and women) live near this creek.
The old ladies can sing the boogey men and women so that they come.
This fabric has been screen printed by hand by Published Textiles and Papers, ensuring the highest quality and longevity.
About the Makers:
Publisher Textiles & Papers is one of Australia’s leading print houses. Focused on producing original patterns through traditional hand-screen printing methods we create bold and colourful textiles, hand printed wallpaper, clothing and fabric.
Hand printed in our studio in Leichhardt.
Treat this handmade garment with love and it will love you back! Cold gentle machine wash, drip dry in shade, warm iron. Avoid the tumble dryer and dry cleaner.
Being handmade there may be some print variations, making each garment unique.
Hand printed and made in Sydney.”
Sizing
Bust measurements:
6: 91cm
8: 96cm
10: 101cm
12: 107cm
14: 113cm
16: 119cm
Returns Policy
Please be aware when purchasing clothing, we do not offer a refund for change of mind. As we and our manufacturing partners, Publisher Textiles are still ironing out the kinks in production there may be some inconsistencies in details given and the finished product (sizing guides and base fabrics are the main culprits). During this period we are happy to offer a refund or exchange for items that do not match the description given. Once things are running smoothly we will no longer offer refunds and will only be able to offer an exchange or store credit for clothing purchases.
Please also be aware we are not able to offer refunds or reimbursements for postage costs.
This painting portrays part of the artist’s country where their family lived traditionally during the pujiman (bush) days. The Martu lived very nomadically moving from water source to water source hunting and gathering bush tucker as they went. They would traverse very large distances visiting some areas in the dry and some in the wet season depending on the availability of water. As they travelled and hunted they would also burn areas of country creating a larger diversity of plant and animal life.
The Yolngu people of Arnhem Land originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘Spiritual Reservoirs’ are often in the form of special waterholes made by Wangarr (Creative Beings) long ago close to the beginning of time.
The creator beings moved across the country side, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These Creative Spirits took many forms. When they gave the land to each group they also gave songs, dances, ceremony, the associated laws and language. The Creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land.
In this painting, the artist has depicted Gumang (magpie geese), which are sacred to the Ganalbingu people. To the east of the Arafura Swamp is a freshwater billabong which is said to have been made by the Goose Spirit and is in the shape of a goose nest. As a result, geese, their eggs and their nests are sacred.