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Napanangkalu watiya kuntanyi tururruku / Eunice is cutting the wood for clapping sticks

In the artist’s words: “In September, on a warm day, we went on a bush trip to get wood for nulla-nulla and clapping sticks. While Alison Napurrula Multa and Eunice Napanangka Jack were looking for wood, I was taking pictures of them. My cousin Alison is looking for wood to make a nulla-nulla. Anangu use the nulla-nulla for ceremony in our dances. Alison made a nulla-nulla for our art festival. My grandmother Eunice is looking for wood to make a clapping stick. Anangu use the clapping sticks to clap and sing in ceremonies. Eunice made clapping sticks for our art festival. This was the first time I experimented with photography including people. It made me feel happy because I am trying to learn more about taking pictures.

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Napurrulalu atuni watiya kuturruku / Alison is cutting the tree to make a nulla-nulla

In the artist’s words: “In September, on a warm day, we went on a bush trip to get wood for nulla-nulla and clapping sticks. While Alison Napurrula Multa and Eunice Napanangka Jack were looking for wood, I was taking pictures of them. My cousin Alison is looking for wood to make a nulla-nulla. Anangu use the nulla-nulla for ceremony in our dances. Alison made a nulla-nulla for our art festival. My grandmother Eunice is looking for wood to make a clapping stick. Anangu use the clapping sticks to clap and sing in ceremonies. Eunice made clapping sticks for our art festival. This was the first time I experimented with photography including people. It made me feel happy because I am trying to learn more about taking pictures.”

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Napurrulalu atuni watiya kuturruku / Alison is cutting the tree to make a nulla-nulla

In the artist’s words: “In September, on a warm day, we went on a bush trip to get wood for nulla-nulla and clapping sticks. While Alison Napurrula Multa and Eunice Napanangka Jack were looking for wood, I was taking pictures of them. My cousin Alison is looking for wood to make a nulla-nulla. Anangu use the nulla-nulla for ceremony in our dances. Alison made a nulla-nulla for our art festival. My grandmother Eunice is looking for wood to make a clapping stick. Anangu use the clapping sticks to clap and sing in ceremonies. Eunice made clapping sticks for our art festival. This was the first time I experimented with photography including people. It made me feel happy because I am trying to learn more about taking pictures.”

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Papa Tjukurrpa – Dog Dreaming

This story is of the Papa Tjukurrpa – Dog Dreaming, which is the story of the artist’s father. It is of Niyuman, east of Kintore and it is secret men’s business.

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Yalka at Karrkurutinytja (Bush onion Dreaming at Lake Macdonald)

Daphne was passed down the right to paint the Yalka Tjukurrpa at Karrkurutinytja (Bush onion dreaming at Lake Macdonald) from her grandmother, Narputta Nangala Jugadai. Narputta, who was a founding member of Ikuntji art centre and a prolific painter, was born close to this sight.

 

Daphne says,

 

 “My grandmother, Narputta used to make that painting. She told me that story. I used to work here (Ikuntji Women’s Centre) as a cook. I came to learn here. I saw my grandma painting. I learnt from her. She told me that story…Yalka…Bush food…For a long time those old ladies have been looking for Yalka, digging for Yalka, taking the fruit, cooking it in the fire. We cook them just a little bit, like Maku (witchetty grub). I have been looking for that Yalka with my grandmother.”

 

Yalka Tjukurrpa, as told by Narputta,

 

“Creek bed at Karrkurutinytja. Two old women, two Nungurrayi, came across from Pulpa and started Gathering bush  onions, putting them into coolamons. They went on a journey west. They approached a group of men and watched them, whilst hiding in the bushed at Pimarrpa (Soakage near Kiwirrkura). There was another lady, Alkiljarra Nakamarra, who came along on their tracks. She saw them where they had gathered bush onions. She became upset that they’d gathered them all up and there were none left. The Nakamarra started walking and came across the creek, where she started collecing mungilpa (a staple seed food for the Pintupi people).  She came across two Tjangalas (Mungilnga and Tiwilgna). Next to them was a rockhole and Atjakalya Nakamarra, who was making damper for them. Mungilnga had the smaller damper. The two Tjangalas ate their damper then she flew off and became a rock there at Kurultu.”

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Family’s – Waltja

Roseranna shows in this photograph her children and grandchildren playing at the entrance of Haasts Bluff community on an old truck.

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Family’s – Waltja

Roseranna shows in this photograph her children and grandchildren playing at the entrance of Haasts Bluff community on an old truck.

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Family’s – Waltja

Roseranna shows in this photograph her children and grandchildren playing at the entrance of Haasts Bluff community on an old truck.

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Waru at Watarru

This painting shows the Waru Tjukurrpa (Fire Dreaming). The place for this Dreaming is Watarru, near Kanpi and Piplitjara in South Australia, near Maralinga and Ochre Valley.

It shows the two Jangala were travelling from Yuendumu down south and they were carrying the fire from Yuendumu. They threw the fire stick at Watarru in the ground and created a big hole and mountain at Watarru. The two Jangalas created everything at Watarru, afterwards they went back to Yuendumu.

They left a lot of Ngangkeri spirits in this place, which all the children hold.

It is a big Dreaming from Yuendumu, called Warlukurlangu.