July 2025

225182374038

Kirbaji (Dugong)

Kirbaji (Dugong) is an Ancestral Spirit Being (Totem) that I inherited it from my mother’s side.  It is my Totem. The dugong was also an important food source for my ancestors. Only men were allowed to hunt them, and only men had the right to cook and distribute the meat to all the families. My uncles and cousins showed me how to hunt dugongs and they passed down to me the cultural knowledge about them.

My ancestors used to wrap the dugong meat in ginger leaves for flavour, close the wraps with a vine and cook them in the ground oven. Dugongs were only hunted on special occasions such as births, weddings and funerals to provide food for large family gatherings.Dugong fat was also melted to make oil which was used as a medicine for skin and hair ailments or as ointment to treat an upset stomach.

By CompNet Systems, ago

114182374905

Kungkarrangkalpa (Seven Sisters)

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.

By CompNet Systems, ago

377810582374891

Djomi (Fresh Water Spirit)

This design depicts the story of the artist’s ancestral dreaming, the Djómi (Fresh Water Spirit).

The Djómi figure is a mermaid-like spirit with fish tail that lives in the freshwater stream that flows out to the sea cliff near Maningrida. Djómi is known to be a very powerful fertility symbol.

“If you go there, you can get pregnant easily. Djómi has babies, and they can give other babies too. The Djómi spirit is so powerful, that women can end up with multiple babies at once, twins or sometimes even more. The Djómi spirits lay eggs near the sacred freshwater stream in Maningrida. Inside the eggs are human babies as well as young Djómi. Men do not go near that swamp, because Djomi is so powerful that men might get pregnant there too. So men are too scared of that Djómi. When we visit the Djómi freshwater spring, we can hear young Djómi  crying. They sound like normal babies crying, those Djómi spirits. They are looking for a mother. This Djómi is my dreaming, I got permission from my djungkay (ritual manager) to paint this Djómi design. For me I always ask my djunguy permission to paint, because that is our cultural way. This design also depicts the freshwater lily leaves and seaweed from the base of the sea floor.” Joy Galrbin

By CompNet Systems, ago

114182374964

Minyma Kutjarra – (Two Sisters)

‘Minyma Kutjara’ (Two Ladies), is a popularly depicted story by women from the Ngaanyatjarra Lands. The painting has different chapters depending on where the artist is from and the inherited story of their ancestors.  we see the ladies sitting together at their camp situated among the sand hills. They are surrounded by an abundance of desert flowers and fruits. The painting is a reflection on the lush nature of the land that was so many years ago. When there is rain coming to the lands it makes everyone so pleased as it indicates good foraging and hunting.

By CompNet Systems, ago

114182374961

Multju – Nora’s family’s country

Nora begins her stories with simple lines, drawn on paper, canvas, or etched into the red earth, gradually transforming into rich visual narratives of her homeland, Multju. This area, marked by significant rock-holes. where she was born is  Mulga country and a great place to find Honey Ants. There is a story of a mother and her two children successfully finding these ants, savouring the sweet rewards of their efforts. Through vibrant colours and intricate details, Nora’s art celebrates this story.

By CompNet Systems, ago

114182374960

Minyma Kutjarra – (Two Sisters)

‘Minyma Kutjara’ (Two Ladies), is a popularly depicted story by women from the Ngaanyatjarra Lands. The painting has different chapters depending on where the artist is from and the inherited story of their ancestors.  we see the ladies sitting together at their camp situated among the sand hills. They are surrounded by an abundance of desert flowers and fruits. The painting is a reflection on the lush nature of the land that was so many years ago. When there is rain coming to the lands it makes everyone so pleased as it indicates good foraging and hunting.

By CompNet Systems, ago

377810582374951

An-gujechiya (fishtrap)

An-gujechiya is the word for fish trap in the Burarra language, which is one of the languages that continue to be spoken in the Djelk Indigenous Protected Region. Wullunmingu’s childhood home in Gupanga, Arnhem Land, is a saltwater estuary that is a great place for collecting crabs and edible shellfish such as the delicacy mud mussel.

In the early wet season, fish swim upstream to breed in creeks and billabongs, then downstream to spend the dry season in larger rivers. An-gujechiya (fish trap) would be set to face the oncoming fish, with woven fencing either side. Within the mouth of the trap is a woven funnel that guides the fish inside and prevents their escape. The clever design ensures that only adult fish are caught as smaller fish can escape through the weaving or even through the funnel. The fish that are caught can survive in the trap for up to two months. Once the trap is removed, the end is untied to remove the fish.

Wullunmingu’s eye for detail runs in her family. Her mother, Doris Gingingara, was an illustrator for the iconic Desert Designs label in the 1980s. In addition to designing outfits for the 2018 Commonwealth Games, Wullunmingu’s work has been featured in high-profile fashion and homeware licensing collaborations, including with Kip&Co x Bábbarra in 2020 and a stunning collaboration with ethical milliner, Helen Kaminski 2024.

 

By CompNet Systems, ago