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Elevate your morning routine with the Marianne Burton Mug. Made from fine bone china, this exquisite mug is perfect for savoring your favorite coffee or tea. Its beautiful art adds a touch of elegance to your daily cup, making it a must-have for any passionate beverage connoisseur!

Details:
– Featured artwork:’Detail from ‘Punmu waterholes’, by Marianne Burton, courtesy Martumili Artists.
– Mug Height – 12.5cm
– Dishwasher Safe
– Microwave Safe 
– Presented in a matching giftbox featuring information about the artist and artwork.

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mountain range – Charles Inkamala

Silk screened in Australia on 100% cotton. Regular fit.

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Puli Puli Small Cushion Cover (30x30cm) – White

Keturah depicts the puli puli (rocks) at two different sites: the landscapes at Haasts Bluff and also Karrkurrutintja (Lake McDonald). Keturah depicts her childhood memories of both places.
“The sand hills I paint are my mother’s story and the rocks I paint are my own story. My paintings are about my story and my mother’s. When I look at my paintings I feel happy. My Grandmother used to say to me when I was younger: “One day you will paint.”

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Puli Puli Heart Gift Card

Keturah depicts the puli puli (rocks) at two different sites: the landscapes at Haasts Bluff and also Karrkurrutintja (Lake McDonald). Keturah depicts her childhood memories of both places.
“The sand hills I paint are my mother’s story and the rocks I paint are my own story. My paintings are about my story and my mother’s. When I look at my paintings I feel happy. My Grandmother used to say to me when I was younger: “One day you will paint.”

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Yalka – Woven Tie Set (Blue)

This beautiful Woven tie features Daphne Mark’s design ‘ Bush Onion’ and has been made by our ethical partners, Better World Arts.

Artwork Story:

Daphne says,

 “My grandmother, Narputta used to make that painting. She told me that story. I used to work here (Ikuntji Women’s Centre) as a cook. I came to learn here. I saw my grandma painting. I learnt from her. She told me that story…Yalka…Bush food…For a long time those old ladies have been looking for Yalka, digging for Yalka, taking the fruit, cooking it in the fire. We cook them just a little bit, like Maku (witchetty grub). I have been looking for that Yalka with my grandmother.”

Better World Arts 

Has been operating for over two decades.

They work with traditional artisans from remote regions in Kashmir, Peru, West Bengal, Uttar Pradesh and Nepal (Tibetan refugees). They work with Australian Aboriginal artists from remote communities across Australia, from Arnhem Land to Central and the Western Desert regions, from rural locations and from cities.

Better World Arts are endorsed members of the Fair Traders Association of Australia and New Zealand.

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Sevania Kemarre Bonney – My View of Country

Sevania was born in Soapy Bore, Utopia and started to paint when she was teenager. She learnt the way to paint landscape and bush medicine from her mother Elizabeth Ngwarraye Bonney and grandmother Eileen Kemarre Bonney, a former health worker and artist.

Sevania finds painting soothing and enjoys sharing this activity with her twin daughters Dakota and Latoya,  so they can learn as she did with her mother and grandmother.

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), traveling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’(dreaming stories). The artists paint their country where those stories sit.

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Raypiny Dhawu (Fresh Water Story)

All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.

 

The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.

 

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Fire Burn/Hunting

Burning grass to replenish the land whilst drawing out kangaroos to be turned

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Sacred Place

A place where i camped surrounded by scar trees, and oven mittens (The Junction Echuca)