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Susan Ngwarraye Philomac – Spring Creek

Kwetyaylp (donkeys) and nantew (horses) would come and drink from the water at Spring Creek on my father’s country.  We would put a bucket in the sand we would filter the water so we could drink it. 

When I was young girl we would go to Canteen Creek following the track along the hills, we would hunt turkey, emus and kangaroo and we would cut the bark and collect the sap from the sugar bag trees. `

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Pura – Bush Melon

“In my language Luritja it’s called pura. It’s like a heart shaped with black seeds inside, it tastes like rockmelon. It’s like a pawpaw, you cut the seed, clean it and eat it. But it tastes like rockmelon.” – Joyce Dixon

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Yindjibarndi country.

When we have rain in the months of cyclones and lore and culture, it makes the Fortescue river run down the Yindjibarndi country.  

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Marra (Leaves)

Inspired by the work of the prominent basket weaver, the late R. D. This scene depicts the leaf debris as it floats along the running water. 

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Milky Way

The old people talk about the Milky Way, there’s different stories, Mayalarri Seven Sisters and the Jarnkurna emu. In the Milky Way, you can see a Jarnkurna emu. When the Milky Way turns up in the cold season, it means it’s time for nesting and they lay their eggs.  The man Emu sits on the eggs and raise the chicks until they are independent and then he runs away from them.

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Alana Ngwarraye Holmes – Wild Flowers

Out in the plain after the rain the wild flowers grow and bloom, I see these flowers on my mother’s country.

The plant has pretty flowers, we take them home and show them to the children. They are a beautiful purple, yellow and pink colour.

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Julieanne Ngwarraye Morton – My Country, My Bush Medicine

My Mother, Lilly Kemarre, taught me to paint. She likes to paint her Mother’s and Father’s country from the old days, when they used to live off of the land.

The landscape changes during the different seasons in the year. I paint the dried flowers and bushes from last season as well as the new plants that come after the rain. These plants have special meanings and uses for us. I have been taught how to read the country, and now I teach my children these skills.

Julieanne’s painting’s are inspired by her Mother’s stories of the old days, walking and living on their land, and also of her own experience of life out here in Alyawarr country.

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Tali at Kungkayunti

This painting shows the birds eye view of the tali tali (sandhills) at Kungkayunti (Brown’s Bore). This is the country of Joe Tjakamarra Multa, the father of Douglas Multa, Agnes Multa, Lisa Multa, Alison Multa, Rephina Multa, Benita Multa and Patricia Multa and the grandfather to their children. The tali tali are a short walk from where the family lived and the children of Joe grew up.

Lisa remembers walking up the tali tali with her sister, Agnes Multa, who was the same age as her. When Lisa got married she brought her partner to see those tali tali. From the tali tali, a 360-degree view can be seen of the surrounding country. The area is abundant with bush tucker, especially bush tomatoes and bush banana.

Kungkayunti is an important place for the travelling Tjukurrpa of the ancestral Arrernte women who travelled 600 kms from Ntaria (Hermannsburg) to Kintore, past Kulpitarra (Outstation) to attend to women’s business. Kungkayunti is the place where the women first camped. On their long journey, the women stopped at Kunkayunti (Brown’s Bore) to camp, rest, eat and dance. When the women reached their destination, they danced, shared their stories and renewed their law. Those women turned into stone and can be seen today. Annual events continue today to strengthen this Tjukurrpa.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.