December 2025

37781464008298

Status: Stock

Linen Bed Cover – Pink Tree

A luxurious single layer of printed washed linen, with deep folded border in khaki linen, so that there are no visible seams front or back.

Our bed covers are designed to generously drape over a King or Queen bed (drape will be more exaggerated on a Queen bed).

Artwork Title: Wirlumarra (ghost gum)
“This is a wirlamarra tree at the Wannar-nha river, near Ngurrawaana”.

Nancybird has collaborated with Juluwarlu Art Group alongside Wendy Hubert, who is a respected Yindjibarndi elder, cultural custodian, linguist and artist.

Wendy’s artworks celebrate sacred country, the 60,000 year old Yindjibarndi culture and the continuing management and care for their West Pilbara tableland.

Each piece produced pays an agreed licensing fee and creates another income stream for the artist. We pay all licensing fees prior to production.

Made responsibly in India by a SEDEX member which conducts regular social compliance audits.

By , ago

37781464008297

Status: Stock

Organic Cotton Square Cushion Cover – Palm

A square cushion cover crafted from organic cotton, featuring traditional kantha handstitching for subtle texture and artisanal detail, with embroidered artwork by Wendy Hubert.

Artwork Title: Yarraliny at Millstream
“Native waterlily has a small, long yellow flower and the bula (root bulb) is edible. Follow the stem down under the mud with your hands and feel for the bula and pull it out. The bula tastes a bit like a potato, and you can boil it or cook it in ashes and eat it with meat. The bula is similar to the water chestnut called ngarlawany.” Excerpt from Wangalili

Nancybird has collaborated with Juluwarlu Art Group alongside Wendy Hubert, who is a respected Yindjibarndi elder, cultural custodian, linguist and artist.

Wendy’s artworks celebrate sacred country, the 60,000 year old Yindjibarndi culture and the continuing management and care for their West Pilbara tableland.

Each piece produced pays an agreed licensing fee and creates another income stream for the artist. We pay all licensing fees prior to production.

Made responsibly in India by a SEDEX member which conducts regular social compliance audits.

By , ago

37781464008296

Status: Stock

Pillow Case- Organic Cotton Clouds

A pillowcase in soft organic cotton featuring the artwork of Wendy Hubert.

Artwork Title: Ngurra, Yindjibarndi Country 
“Ngurra, Yindjibarndi country. I love the colour, it’s beauful, it’s goonmardii (plenty of food, good country). We can go fishing, we got kangaroos, turkeys, we never cook in the river, we cook up top. I paint to show people how to appreciate country, to not rubbish it, always pick your rubbish up because country will be there forever, for generations to generation”.

Nancybird has collaborated with Juluwarlu Art Group alongside Wendy Hubert, who is a respected Yindjibarndi elder, cultural custodian, linguist and artist.

Wendy’s artworks celebrate sacred country, the 60,000 year old Yindjibarndi culture and the continuing management and care for their West Pilbara tableland.

Each piece produced pays an agreed licensing fee and creates another income stream for the artist. We pay all licensing fees prior to production.

Made responsibly in India by a SEDEX member which conducts regular social compliance audits.

This is a single pillowcase.

By , ago

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My Country after Apangw (Big Rain)

“This is country after we’ve had apangw (big rain). The new grasses are coming up and the water is flowing.”

Kwatcha (water) is a valuable and a much revered resource when living out in the desert. The earth responds with vibrant joyful greens after just one downpour. All life out here celebrates to the music of rain.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

By CompNet Systems, ago

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Regina Kemarre Elkedra – Summer Bush Tucker

During the Summer months kedgadrr (bush tomatoes) and il quarldrr (bush banana) are especially bountiful at this time of year, bush foods that are found in Alyawarr country, the land of the people of Ampilatwatja.

Communicating bush foods through painting is an important way of teaching younger generations and maintaining a strong culture.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

By CompNet Systems, ago

220982389724

Edie Kemarre Holmes – Arratherrk (Bush Flower)

They would use the vine of this plant as rope to help carry coolamon with kids. Make like a bag and carry the kids in this.

My grandmother was called Arratherrk and her sister was calle Pwelk, the leaf of the bush banana.  At Elkedra there is two vine trees and each sister is named after each one. 

By CompNet Systems, ago

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Elizabeth Ngwarraye Bonney – My Grandmothers Country

I still hunt my Grand Mothers country for goanna, bush medicine and yams.

I hunt all year round, hunting and walking through the country makes me happy.  When I look at the distant hills I can feel my grandmother.  Bush flowers are everywhere.

Painting and printing my grandmother’s country reminds about those times.

By CompNet Systems, ago

111582396042

Dreamtime

Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. Each artist, however, brings a unique approach to their craft.

Younger Martu artists often start painting alongside their parents, grandparents, and extended family, which fosters an organic learning process. This not only involves mastering painting techniques but also understanding specific locations, family histories, traditional ways of life, bush tucker, and Jukurrpa (Dreaming). Over time, with encouragement from their peers, they develop their own distinct styles and explore unique painting techniques and subject matter. In this work the artist brings a contemporary, evolving perspective to their work.

By CompNet Systems, ago

111582396041

Dreamtime

Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. Each artist, however, brings a unique approach to their craft.

Younger Martu artists often start painting alongside their parents, grandparents, and extended family, which fosters an organic learning process. This not only involves mastering painting techniques but also understanding specific locations, family histories, traditional ways of life, bush tucker, and Jukurrpa (Dreaming). Over time, with encouragement from their peers, they develop their own distinct styles and explore unique painting techniques and subject matter. In this work the artist brings a contemporary, evolving perspective to their work.

By CompNet Systems, ago