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Gurrpurdu (Diving Bird)

A design by emerging textile designer, Charmaine Pascoe.

‘My Gurrpurdu (diving bird) was white. She flew from Gan Gan to Gapuwiyak and then to Yathalamarra. And then she flew to Gartji.

At Gartji two fresh water seaweed shoots, one long and one short were trying to keep diving bird down. They were saying, “Don’t go away you belong to this country”.  Diving bird said “No! I’m going to travel around to other country”.  She was flapping her wings and then those two seaweed shoots let her go.

Then diving bird flew to make water hole at Gamurra Gu-yurra. She tasted the water but it was salty not fresh water. Then she put her poo like white clay on the ground at Gamurra Gu-yurra. The while clay was used for painting, funerals and ceremonies.

Then she continued to fly to Ji-balbal where she put the white clay again and then from Ji-balbal she dived underwater to Gochan Jiny-jirra. When she got there she got out of the water and was flapping her wings. At the same time she was singing. She was using her wings to dry out so that she could fly to Nangak.’ Charmaine Pascoe 2020

377810582407206



Gurrpurdu (Diving Bird)

A design by emerging textile designer, Charmaine Pascoe.

‘My Gurrpurdu (diving bird) was white. She flew from Gan Gan to Gapuwiyak and then to Yathalamarra. And then she flew to Gartji.

At Gartji two fresh water seaweed shoots, one long and one short were trying to keep diving bird down. They were saying, “Don’t go away you belong to this country”.  Diving bird said “No! I’m going to travel around to other country”.  She was flapping her wings and then those two seaweed shoots let her go.

Then diving bird flew to make water hole at Gamurra Gu-yurra. She tasted the water but it was salty not fresh water. Then she put her poo like white clay on the ground at Gamurra Gu-yurra. The while clay was used for painting, funerals and ceremonies.

Then she continued to fly to Ji-balbal where she put the white clay again and then from Ji-balbal she dived underwater to Gochan Jiny-jirra. When she got there she got out of the water and was flapping her wings. At the same time she was singing. She was using her wings to dry out so that she could fly to Nangak.’ Charmaine Pascoe 2020

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Michelle’s Tjala Dreaming (Honey Ant)

Michelle’s father’s country is tjala tjukurpa (honey ant dreaming). Michelle and her family still visit this country where she pays special attention to the natural elements on the land which are then represented in her paintings:

I am showing the landscape from above, as you might see it from an airplane or as a bird looking down. It is beautiful country both from on the ground and up above.

In Michelle’s work she creates how the tjala (honey ants) tunnel though the sandy soil. She also depicts the small groupings of intergenerational women and children sitting together and digging for the tjala. The earth is shown as soft because it’s been raining.

Tjala or honey ants live in nests about a metre underground beneath mulga trees, and they are a highly favoured food source. The tjala tunnels that lead down to the ants’ nests are called nyinantu, and the larvae are called ipilyka-ipilyka. After the rain when the ground is soft the women go digging for tjala by looking for the drill holes under the trees. They then use shovels and crowbars to dig down following the tunnels to find the tjala inside. Aṉangu suck the delicious rich honey-like liquid from the distended abdomen of the tjala. The story of the tjala is told across the Northern Territory into South Australia and is an important link between Aṉangu mythology and inter-dependence on the environment.

221282407194



Michelle’s Tjala Dreaming (Honey Ant)

Michelle’s father’s country is tjala tjukurpa (honey ant dreaming). Michelle and her family still visit this country where she pays special attention to the natural elements on the land which are then represented in her paintings:

I am showing the landscape from above, as you might see it from an airplane or as a bird looking down. It is beautiful country both from on the ground and up above.

In Michelle’s work she creates how the tjala (honey ants) tunnel though the sandy soil. She also depicts the small groupings of intergenerational women and children sitting together and digging for the tjala. The earth is shown as soft because it’s been raining.

Tjala or honey ants live in nests about a metre underground beneath mulga trees, and they are a highly favoured food source. The tjala tunnels that lead down to the ants’ nests are called nyinantu, and the larvae are called ipilyka-ipilyka. After the rain when the ground is soft the women go digging for tjala by looking for the drill holes under the trees. They then use shovels and crowbars to dig down following the tunnels to find the tjala inside. Aṉangu suck the delicious rich honey-like liquid from the distended abdomen of the tjala. The story of the tjala is told across the Northern Territory into South Australia and is an important link between Aṉangu mythology and inter-dependence on the environment.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Michelle’s Tjala Dreaming (Honey Ant)

Michelle’s father’s country is tjala tjukurpa (honey ant dreaming). Michelle and her family still visit this country where she pays special attention to the natural elements on the land which are then represented in her paintings:

I am painting the landscape from above, as you might see it from an airplane or as a bird looking down. It is beautiful country both from on the ground and up above.

In Michelle’s work she creates how the tjala (honey ants) tunnel though the sandy soil. She also depicts the small groupings of intergenerational women and children sitting together and digging for the tjala. The earth is shown as soft because it’s been raining.

Tjala or honey ants live in nests about a metre underground beneath mulga trees, and they are a highly favoured food source. The tjala tunnels that lead down to the ants’ nests are called nyinantu, and the larvae are called ipilyka-ipilyka. After the rain when the ground is soft the women go digging for tjala by looking for the drill holes under the trees. They then use shovels and crowbars to dig down following the tunnels to find the tjala inside. Aṉangu suck the delicious rich honey-like liquid from the distended abdomen of the tjala. The story of the tjala is told across the Northern Territory into South Australia and is an important link between Aṉangu mythology and inter-dependence on the environment.

221282407175



Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

221282407171



Michelle’s Tjala Dreaming (Honey Ant)

Michelle’s father’s country is tjala tjukurpa (honey ant dreaming). Michelle and her family still visit this country where she pays special attention to the natural elements on the land which are then represented in her paintings:

I am painting the landscape from above, as you might see it from an airplane or as a bird looking down. It is beautiful country both from on the ground and up above.

In Michelle’s work she creates how the tjala (honey ants) tunnel though the sandy soil. She also depicts the small groupings of intergenerational women and children sitting together and digging for the tjala. The earth is shown as soft because it’s been raining.

Tjala or honey ants live in nests about a metre underground beneath mulga trees, and they are a highly favoured food source. The tjala tunnels that lead down to the ants’ nests are called nyinantu, and the larvae are called ipilyka-ipilyka. After the rain when the ground is soft the women go digging for tjala by looking for the drill holes under the trees. They then use shovels and crowbars to dig down following the tunnels to find the tjala inside. Aṉangu suck the delicious rich honey-like liquid from the distended abdomen of the tjala. The story of the tjala is told across the Northern Territory into South Australia and is an important link between Aṉangu mythology and inter-dependence on the environment.

221282407169



Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.