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Kulyakartu

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

Name: Nuriah Jadai


Language: Martu Wangka, Mangala



Biography:

I’ve been painting since I was born, and my work has been deadly since I was four years old. I had a good eye for detail at seven or eight, especially when painting dragons, and that’s when I realised I had a talent for painting and working with colour.

I began painting for real with the old people, the Yulparija elders, in 1997. In 2011, I started focusing on my art career in Parngurr, where I began painting with my family, the Taylor family. I’ve always lived between Bidyadanga and Parngurr, which has given me a deeper understanding of my people, culture, and Country.

My photography has been exhibited at the Perth Centre for Photography (2022), QV1 Building in Perth (2023), Lawsons Flat (2024), and Lawrence Wilson Gallery (2025). I was also proud to win Best Works on Paper at the Shin Art Award (2024) in Broome. Creating art helps release the pain in my mind, and it brings me joy to see people’s responses to my work. For me, it’s all about sharing visions and dreams.


© the artist / art centre