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Claypan

All about white claypan in dry season, lalga. I’m doing the dry claypan. We go out country from Bidgy (Bidyadanga abbr.) and go hunting for kangaroo and turkey, like that you know? Bush animals you know? Long time [ago] people used to go hunting by walking, but now we go with car. When we go dry time the jurnga (ground} all hard, [that’s when it’s] more easy to see the animal footprints. Not when it’s scrubby, not when it’s a marsh, that’s when the ground is too softened then, too boggy.

 

This is the one I’m painting now, I’m doing the colour of the dry season, I’m doing all the dots like the sand, claypan, marsh and the paru (spinifex), all the different Nyangumarta country. I’m doing all the station, I’m doing the white plain, the marsh and claypan area. That’s all in the pirla (desert, country). I’m doing different sort of area; Wallal, Mandoora, Anna Plains, Sandfire Marsh, Salt Creek. Bush name for Salt Creek is Wallyarra. We go hunting different places every day. That’s the hunting places.

Name: Edward Badal


Language: Nyangamarta


Community: Bidyadanga


Biography:

I was born in Broome hospital, WA in the late seventies. I went to Lagrange school, then to Nulungu College to further my education and went back to Lagrange. In the late 2000's I came interested in painting my old peoples country.

Me I like doing dot painting, it's about culture, land and people. Sometimes I go out with the rangers to look after country and sometimes it heals all of us being out on country.

The painting I do is sand dunes and claypans. Me I use desert colours in my paintings, that represent the desert. My Mother and my Grandmother are Nyangumarta and my Father’s side is Mangala Side. Both of my Grandmothers were born in the desert country, they both grew me up in the old camp here in Bidyadanga.


© the artist / art centre