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Feeding Season

“Bardi people learn to live off the land and the sea. We use certain plants to indicate which animals are good for eating. For example, the wattle flower tells us the mullet are good to eat; their fat and their eggs are best when the wattle is flowering. We need to know which plants create spears and which roots paralyse the fish so we can catch them. We use the land to help us hunt the sea. My paintings are all about how we use the land to hunt the sea. All the colours I use have meaning.”

– Jaymee-Lee Chaquebor

Jaymee-Lee’s paintings are deeply rooted in Bardi culture, storytelling, and the connection between land and sea. Each artwork reflects knowledge passed down by Elders, showing how Bardi people use Country to guide hunting and fishing practices and feature culturally significant totems— ambarn (manta ray), big mullet (baitfish), and stingray—representing survival, hunting, and seasonal knowledge. The colour choices carry meaning: black represents the strength of rocks and sea shadows, while gold reflects sunlight on the water. Pink and earthy tones mirror fish flesh, sand, and tidal pool reflections.

Name: Jaymee-Lee Chaquebor


Language: Bardi, Jawi


Community: Bidyadanga


Biography:

“I moved to Bidyadanga because my partner is from here. It’s a crazy story (chuckling), but that’s for another day. I now have three beautiful, crazy kids. I value my family and my culture first — and respect. Treat others how you want to be treated. Back then, we were taught to respect our Elders. These are the values I want to pass on to my kids.

Bardi people learn to live off the land and the sea. We use certain plants to indicate which animals are good for eating. For example, the wattle flower tells us the mullet are good to eat; their fat and eggs are best when the wattle is flowering. My paintings are about how we use the land to hunt the sea. All the colours I use have meaning.

I paint the stories I learn from my Elders, and my artwork reflects the colours and textures of the area and its fruits.

What I am trying to do with my paintings is reconnect to a special place where I grew up. It’s a spiritual place for my daughter. My grandfather heard her cry there before I even told him I was pregnant.”
– Jaymee‑Lee Chaquebor

Jaymee‑Lee is a Bardi Jawi woman from the Dampier Peninsula who grew up near the saltwater. She is both a painter and a fashion designer, creating works that reflect the landscapes, waters, and natural colours of her Country while celebrating Bardi culture.


© the artist / art centre