377815582407027

Published by CompNet Systems on



Desert to the Sea

 “I know it’s Karajarri land. We got Karajarri rock — three of them. There’s a salt place. There’s Bidyadanga. That’s called Black Rock. Did they tell you the story for that place?”
Bernadette Thomas

This artwork reflects the artist’s connection to Bidyadanga, a place where the desert meets the sea. Through colour, pattern, and texture, the painting captures important themes that shape the identity of the community and Art Centre.

Bidyadanga sits on Karajarri Country, where desert Country meets saltwater Country. The community is home to Karajarri people and to desert families who travelled from the Great Sandy Desert to La Grange Mission in the 1960s and 70s, during a time when drought and changing conditions dried desert water sources. The first five language groups to build the community together were Nyangumarta, Mangala, Yulparija, Juwaliny and Karajarri. Today, Bidyadanga continues to grow, welcoming families from across the Kimberley, Pilbara and beyond, creating a strong and diverse cultural community.

Artists draw on stories of place, family, movement, and survival — caring for both land and sea, hunting and fishing, and living between two immense environments. Patterns, marks, and flowing forms echo desert dunes, waterholes, tidal flats, reefs, bushfoods, and sea life, honouring the knowledge held across generations.

In this work, the artist celebrates the beauty of Country and community, offering a glimpse into the rich histories, cultural strength, and enduring connection to land, sea, and way of life.

Name: Bernadette Thomas


Language: Mangala, Juwaliny


Community: Bidyadanga


Biography:

“We had one big bedroom. No power. People used to cook dinner outside, and we had a well. We used to fetch water with a bucket, and we had a dormitory — one line for boys and one line for girls. Next to the school there used to be a shop and a butcher. The meat wasn’t much for sharing and not much for supporting people, so people were living on tin meat, tin spaghetti, and sometimes Wheaties. Mum gave me to the nuns because she had too many children. My mother was from the desert and she had me, Barbara Thomas, Margaret Bumba, and my brother.”
Bernadette Thomas


© the artist / art centre