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Nyangumarta Warrarn (Country)

“Nyangumarta Country is home to the Nyangumarta people — from the desert to the seaside. Old people lived and walked on this land, and we as Nyangumarta still look after it today. We go out on Country, hunting and living from the traditional foods of the land.

Nyangumarta people travelled and lived between the desert and the sea. This painting tells a story from the Nyangumarta Dreaming — of a woman who walked with her child along this Country collecting seafood, mayi. They were both on the reef when the tide came in and drowned them. Today, two rocks remain out by the sea, marking their story.

We carry our culture, and most people tell stories through their painting — that’s how it’s always been. Passing knowledge down. Younger people might not see it now, but in the future, they might want to follow in their Elders’ footsteps — carrying on the skills, knowledge, and way of life. It can be anything: painting, hunting, becoming leaders.”
 – Venetta Yanawana

This artwork honours Nyangumarta Country — from the long sweep of Eighty Mile Beach and coastal flats to the rolling sand dunes and salt lakes of the Great Sandy Desert. It holds the movement between saltwater and desert: tides, reefs and mangroves to the west; dunes, claypans and waterholes to the east.

Lines flow like wind across spinifex and waves in the ocean; dots gather where waters sit after rain; colours shift from deep blues to desert reds and whites of saltpan. The painting also reflects the ongoing work of Nyangumarta families and rangers to look after Country — sea and land — guided by community plans and Indigenous Protected Area management.

Name: Venetta Yanawana


Language: Nyangamarta, Mangala


Community: Bidyadanga


Biography:

“I was inspired by old people from the past and the present who have been painting about Country. The colours of the landscapes are something I would like to continue. I feel good when I’m painting — I’ve seen my paintings start to change with each canvas I’ve done.

Painting is a way of showing others what I see through my eyes. These paintings come from my travels out on Country with Tribal Elders. The Elders would share stories about life in the bush and talk about family connections.”
– Venetta Yanawana

Venetta sees art as a way to engage young people and keep cultural knowledge alive. “We can give kids a go with painting. Encourage them. Tell them stories with the painting.”

“Because we carry the culture and most people tell stories with their painting, and that’s how it was from the beginning. Passing knowledge down. They might not see it now, but in the future, younger people might want to follow in their Elders’ footsteps. And carry on the skills and lifestyles. It can be anything—painting, hunting, becoming leaders.”
– Venetta Yanawana

Alongside developing his art practice, Venetta works as an Senior Arts Worker at Bidyadanga Artists Art Centre. His role includes supporting artists in the studio and supervising and supporting the preparation of canvases and materials, helping with sales, and assisting visitors.


© the artist / art centre