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My Ngurra (Country), Jupurr

“My ngurra (home), Juwaliny — my language. My Country Jukurrpa, Yirnpa, Yimiri, Yulpu, Kupankurlu, Lyinjalung, and Lungkarung. Big one warla — that’s the area where the old people belong, ngurra. They been come here and pass away. We come here, Bidyadanga — mummy, daddy, all here. I came from the desert — I sat down in Jigalong, Punmu, Parnngurr, 33 (Kunawarritji), Newman, and I came back here (Bidyadanga).”
 – Yikartu Bumba

This painting shows the artist’s Country in the Percival Lakes region. Yikartu’s daughter, Bali Bumba, was born in this area when they lived a traditional pujiman (desert-born) life. The painting includes lyinji (claypan), jurnu (waterhole), kurru (river), and a big warla (lake).

This artwork depicts Country in and around the Great Sandy Desert — an immense area stretching from the edges of the Kimberley near Bidyadanga and Eighty Mile Beach, east through Walyarta (Mandora Marsh) and Percival Lakes, and down toward Kulyakartu, Kunawarritji (Well 33) and the Canning Stock Route. It is a vast landscape of dunes, claypans, salt lakes and waterholes.

For many families connected to Bidyadanga, this is ancestral land and holds places and significant sites where the old people lived pujiman (traditional desert-dwelling) lives before travelling to the coast.

The Great Sandy Desert is not empty — it is full of life, memory and movement. Soft sandhills rise and fall like waves, spinifex shimmers in the wind, flowers bloom after rain, and jila (living waterholes) lie hidden beneath the surface. People hunted goanna, bush turkey and small animals, dug for water, gathered bush foods, and camped beside claypans. Families walked long distances between soaks, teaching others how to read the land, follow tracks and travel safely.

In painting, the desert becomes a map of belonging — circles showing water and camps, lines following walking tracks and dunes, and soft patterns recalling plants, sand ridges and the glow of sunsets across wide skies. Colours shift between deep reds, ochres, warm sand tones and the greens that come after rain.

Name: Yikartu Bumba


Language: Manjilyjarra, Juwaliny



Biography:

“My ngurra (home), Juwaliny — my language. My Country Jukurrpa, Yirnpa, Yimiri, Yulpu, Kupankurlu, Lyinjalung, and Lungkarung. Big one warla — that’s the area where the old people belong, ngurra. They been come here and pass away. We come here, Bidyadanga — mummy, daddy, all here. I came from the desert — I sat down in Jigalong, Punmu, Parnngurr, 33 (Kunawarritji), Newman, and I came back here (Bidyadanga).”
Yikartu Bumba

Yikartu Bumba was born in the 1940s at Lalyipuka, north of Wirnpa in Juwaliny Country. Her ngurra (home Country, camp) sits on the northern edge of Martu Country, near the Percival Lakes region. . Her daughter, Bali Bumba, was born in this area where they lived a traditional pujiman (desert-born people) life. Yikartu moved to La Grange Mission, now Bidyadanga Community, in the 1960s with her family and continues to travel between the dessert and the sea. 

Yikartu paints the Country of her parents and grandparents in the north of the Great Sandy Desert, as well as her husband’s Country near Wirnpa. Her work tells stories of the jila (living water) sites that connect her Country — from Yulpu to Yimiri, Kupankurlu, Kurturrara, and Wirnpa — keeping these stories strong for future generations.


© the artist / art centre